Art at the moment is thrilling. The work of the artist today springs from innate impulses towards life, towards growth - impulses whose rhythms and s… - Barbara Hepworth
" "Art at the moment is thrilling. The work of the artist today springs from innate impulses towards life, towards growth - impulses whose rhythms and structures have to do with the power and insistence of life. [...] In the past, when sculpture was based on the human figure, we knew this structure well. But today we are concerned with structures in an infinitely wider sense, in a universal sense. Our thoughts can either lead us to life and continuity or [...] the way to annihilation. That is why it is so important that we find our complete sense of continuity backwards and forwards in this new world of forms and values. I see the present development in art as something opposed to any materialistic, anti-human or mechanistic direction of mind.
English
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About Barbara Hepworth
Jocelyn Barbara Hepworth DBE (10 January 1903 – 20 May 1975) was a major British sculptor and artist of the twentieth century.
Also Known As
Alternative Names:
Mrs. John Rattenbury Skeaping
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Dame Barbara Hepworth
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Mrs. Ben Nicholson
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Dame Jocelyn Barbara Hepworth
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Barbara, Dame Hepworth
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Barbara Hepworth Dame
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Jocelyn Barbara Hepworth
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Additional quotes by Barbara Hepworth
I'm involved in everything. I read just as I was in the thirties during the Spanish War and Franco and everything. And after all there's not a great deal of difference between the 'Monument to the Spanish War', a group of things one on top of the other, that I lost and 'The family of Man', [Hepworth made in 1970]. I mean I've always been involved. I was involved in industry in my home town. I was involved in the distress and the strikes. I wasn't marching but I was involved through my work.
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'Circle' was published at last [constructivist manifesto, in 1937 - with Naum Gabo, Ben Nicholson a.o.]. Mondrian has made his studio opposite so very beautiful, and his company was always inspiring, as it had been in Paris when we used to visit him. After a while he really seemed to our domestic scene. His studio and Ben’s [the sculptor Ben Nicholson; Barbara was his wife then] were most austere, but my studio was a jumble of children, rocks, sculptures, trees, importunate flowers and washing.
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