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" "I really don't want to shame men for feeling anxious about dating trans women because I mean, I was anxious too in the other direction, but I do want to shame men for treating trans women like their dirty little secrets. And I do wanna shame men for dehumanizing us and voting away our rights by day, while jerking off to "shemale" porn by night. And I do wanna shame men for refusing to date us because they're not strong enough to shoulder one hundredth of the burden of stigma that every trans woman carries every moment of every day. I do wanna shame men for attacking their trans girlfriends because they couldn't stand being treated like a gay man for five minutes. That is pathetic! If you're so worried about proving you're a man, why don't you start by standing up for the women you love, you chickenshit cowards?
Natalie Wynn (born October 21, 1988) is an American YouTube personality who specializes in comedic and educational videos about gender, race, politics, philosophy and social justice on her channel ContraPoints. She is a trans woman.
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It's possible to take genuine virtues like nuance, empathy, and impartiality, and to twist them into fucked up apologia for horrible, oppressive behavior. If you play this game long enough you can essentially explain away the entire concept of bigotry, and conclude that in reality there are no bigots, there's only tragically misunderstood people with difficult childhoods and valid concerns, cruelly demonized by militant activists defaming and silencing them with such reputation-ruining slurs as "homophobe".
In "Spongebob Squarepants" the character Squidward is fundamentally a figure of envy, stemming from failed ambition.... A lot of people my age who watched Spongebob as a kid, rewatch it now and are horrified to discover that they identify with Squidward. Whereas as children, they identified with Spongebob. Well, you either die a Spongebob or you live long enough to see yourself become the Squidward– And there's a pain in becoming the Squidward, which is usually explained as "the disappointing drudgery of adult life", or simply loss of childhood. I would argue that "envy of childhood" is the distinctive Squidwardian emotion.