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" "I am a committed writer or maybe I am an obsessed writer. I am obsessed by occupation because I live it. I witness the atrocities of occupation. I witness and live through those atrocities and still am living them. My characters represent what I experience, what I feel, what I think and believe. My characters, in a way, are me. I am them, whether in this novel or the previous ones or after.
Sahar Khalifeh (Arabic: سحر خليفة) (born 1941) is a Palestinian writer.
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(What are the greatest obstacles to equality for women?) There are many, many obstacles in our way. The Israeli occupation, naturally. Our own traditional leadership. Poverty and illiteracy. There is also a dangerous lack of real communication and friendship with the Western world. The West views us with suspicion and we are suspicious of them. I think that communication between different cultures is essential to development. I myself have studied in the West, I have lived and worked there and can, with my hand on my heart, say that I have no exaggerated dreams about Western culture. But I am absolutely convinced that the Western world has a lot to teach us. I only wish that you were not so biased, as then the world would be a better place. At least for us!
Israelis are always minor characters in my books. Why? Because in reality we only come into contact with soldiers and other representatives of the occupation. We have minimal contact with Israeli civilians. How can I write about somebody or something I don't really know? Despite my best intentions and feelings for them as fellow human beings, I can't capture them as full-rounded figures. After all, what is literature? It reflects life, society, and the people who live there. Not in the same way that a photograph does, of course, since the author's personal feelings and opinions will be blended in. An author also strives to transcend reality and make it more beautiful and valuable. You could say that I have one obligation in my writing and that is to reflect the lives of people living under the occupation. My literature is highly political, as our lives are dominated by politics. But it is not dry or rigid, as you might easily imagine. My characters are full of life. They are flesh and blood. You can feel them, smell them, and touch them.
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I think that readers of novels usually read for enjoyment and a little inspiration and knowledge. Readers of novels, I think, are not skeptical like those who read works of social sciences or history. They already know that what they are reading is fiction despite the fact that, at times, that fiction might have elements of truth in it. Even when that fiction is realistic, they know that the reality they are reading is not 100% real. It is a reality that is seen through the eyes of the novelist or created by the novelist. And this is what I consider bliss because it gives me, and gives other novelists, an open space where we can play with reality, or have fun with reality, or ignore reality altogether.