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" "It is not solely by weapons that ISIS imposes its control. More important is the terror it has instilled in millions in Syria, Iraq, Jordan, Lebanon and, increasingly, Saudi Arabia and Kuwait. Indeed, Jordan’s panic-driven decision to execute two jihadists in response to the burning of its captured pilot is another sign of the terror Daesh has instilled in Arab governments and much of the public. In the short run, terror is a very effective means of psychological control of unarmed and largely defenseless populations. Even in areas far from Daesh’s reach, growing numbers of preachers, writers, politicians and even sheiks and emirs, terrorized by unprecedented savagery, are hedging their bets. Today, Daesh is a menacing presence not only in Baghdad but in Arab capitals from Cairo to Muscat — an evil ghost capable of launching attacks in the Sinai and organizing deadly raids on Jordanian and Saudi borders. ISIS enjoys yet another advantage: It has a clear strategy of making areas beyond its control unsafe. No one thinks Daesh can seize Baghdad, but few Baghdadis feel they’re living anything close to a normal life. Daesh’s message is clear: No one is safe anywhere, including in non-Muslim lands, until the whole world is brought under “proper Islamic rule.”
Amir Taheri (born 9 June 1942) is an Iranian-born conservative author based in Europe. His writings focus on the Middle East affairs and topics related to Islamist terrorism, and have been the subject of many controversies involving fabrications in his writings.
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Khamenei is not the first ruler of Iran with whom poets have run into trouble. For some 12 centuries poetry has been the Iranian people’s principal medium of expression. Iran may be the only country where not a single home is found without at least one book of poems. Initially, Persian poets had a hard time to define their place in society. The newly converted Islamic rulers suspected the poets of trying to revive the Zoroastrian faith to undermine the new religion. Clerics saw poets as people who wished to keep the Persian language alive and thus sabotage the ascent of Arabic as the new lingua franca. Without the early Persian poets, Iranians might have ended up like so many other nations in the Middle East who lost their native languages and became Arabic speakers. Early on, Persian poets developed a strategy to check the ardor of the rulers and the mullahs. They started every qasida with praise to God and Prophet followed by panegyric for the ruler of the day. Once those “obligations” were out of the way they would move on to the real themes of the poems they wished to compose. Everyone knew that there was some trick involved but everyone accepted the result because it was good. Despite that modus vivendi some poets did end up in prison or in exile while many others spent their lives in hardship if not poverty. However, poets were never put to the sword. The Khomeinist regime is the first in Iran’s history to have executed so many poets. Implicitly or explicitly, some rulers made it clear what the poet couldn’t write. But none ever dreamt of telling the poet what he should write. Khamenei is the first to try to dictate to poets, accusing them of “crime” and” betrayal” if they ignored his injunctions.