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" "Only the science of the Absolute gives meaning and discipline to the science of the relative.
Frithjof Schuon ( ; ; 18 June 1907 – 5 May 1998) was a Swiss philosopher and spiritual leader, belonging to the Traditionalist School of Perennialism. He was the author of more than twenty works in French on metaphysics, spirituality, religion, anthropology and art. He was also a painter and a poet. With René Guénon and Ananda Coomaraswamy, Schuon was one of the major 20th-century representatives of the philosophia perennis. Like them, he affirmed the reality of an absolute Principle – God – from which the universe emanates, and maintained that all divine revelations, despite their differences, possess a common essence: one and the same Truth. He also shared with them the certitude that man is potentially capable of supra-rational knowledge, and undertook a sustained critique of the modern mentality severed, according to him, from its traditional roots. Following Plato, Plotinus, Adi Shankara, Meister Eckhart, Ibn Arabī and other metaphysicians, Schuon sought to affirm the metaphysical unity between the Principle and its manifestation. Initiated by Sheikh Ahmad al-Alawī into the Sufi Shādhilī order, he founded the Tarīqa Maryamiyya. His writings emphasize the universality of metaphysical doctrine, along with the necessity of practicing a religion; he also insists on the importance of the virtues and of beauty. Schuon cultivated close relationships with a large number of personages of diverse religious and spiritual horizons. He had a particular interest in the traditions of the North American Plains Indians, maintaining firm friendships with a number of their leaders and being adopted into both a Lakota Sioux tribe and the Crow tribe. Having spent a large part of his life in France and Switzerland, at the age of 73 moved to Bloomington, Indiana, where he had a community of disciples.
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Let us specify that the possible gaps in the human mind are due, not to fortuitous causes, but to the very conditions of the "dark age", the kali-yuga, which has as an effect − among other modes of decadence − a progressive weakening of pure intellection and of the ascending tendencies of soul; whence the necessity of the religious revelations, and whence also the problematical phenomenon of gratuitous and divergent philosophies.
The principle of knowledge does not of itself imply any limitation; to know is to know all that is knowable, and the knowable coincides with the real, given that a priori and in the Absolute the subject and the object are indistinguishable: to know is to be, and conversely. If we are told that the Absolute is unknowable, this applies, not to our intellective faculty as such, but to a particular de facto modality of this faculty; to a particular husk, not to the substance.