The question is, Whom do we wish to blame? More precisely, Whom do we believe we have the right to blame? - Susan Sontag

Interpretation takes the sensory experience of the work of art for granted, and proceeds from there. This cannot be taken for granted, now. Think of the sheer multiplication of works of art available to every one of us, superadded to the conflicting tastes and odors and sights of the urban environment that bombard our senses. Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. (...) And it is in the light of the condition of our senses, our capacities, that the task of the critic must be assessed. What is important now is to recover our senses. We must learn to See more, to Hear more, to Feel more.

My desire to write is connected with my homosexuality. I need the identity as a weapon, to match the weapon that society has against me. It doesn’t justify my homosexuality. But it would give me — I feel — a license.

With time, many staged photographs turn back into historical evidence, albeit of an impure kind - like most historical evidence.