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" "They [The Mason family where Hartley stayed 1935 - 1941] maintain an enviable balance between the material & spiritual worlds (so) they symbolize for me the term ideal.
Marsden Hartley (January 4, 1877 – September 2, 1943) was an American Modernist painter and poet in the early 20th century. He lived and worked several years in Europe (Germany and France, Aix en Provence). The landscape was his favourite subject; Cézanne was his great inspiration, together with William Blake and Emerson's writings.
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the place [Dogtown, in Gloucester, Massachusetts] is forsaken and majestically lovely as if nature had at last formed one spot where she can live for herself alone.. ..[it] looked like a cross between Easter Island and Stonehenge – essentially druidic in it appearance, it gives the feeling that an ancient race might turn up at any moment and renew an ageless rite there.
I learned this bit of wisdom from a principle of William Blake's which I discovered early and followed far too assiduously the first half of my aesthetic life, and from which I have happily released myself and this axiom was: "Put off intellect and put on imagination; the imagination is the man." From this doctrinal assertion evolved the theoretical axiom that you don't see a thing until you look away from it which was an excellent truism as long as the principles of the imaginative life were believed in and followed. I no longer believe in the imagination.