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Poetry is what has saved me through the years. I started writing when I was about nine. I discovered that I could go into a space where there is language-language that is mine, which is completely private and where I can do anything with it. I can curse at someone I cannot curse otherwise. I can create a space of beauty when all around me is poverty and deprivation. I can experience an uplifting of the spirit when all around me things are trying to pull me down. That act of writing the poem is the act that has centered me all my life.
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[On inspiration]: I think it comes from anxiety. That is to say, either the mind or the body is already rather highly charged and in need of some kind of expression, some way to crystallize and relieve the pressure. And it seems to me that if you’re in that condition and an idea, an insight, an association occurs to you, then that energy is released through the expression of that insight or idea, and after the poem is written, you feel a certain resolution and calmness. Well, I won’t say a “momentary stay against confusion” (Robert Frost’s phrase) but that’s what I mean. I think it comes from that. You know, Bloom says somewhere that poetry is anxiety.
Poetry was a way of keeping myself relatively sane and trying to make sense of the world I inhabited, which did not correspond to the world shown on the television we acquired the year we moved or the world that textbooks and school commended to us. The place I had grown up in was far more violent. Radical politics made sense to me. ("TOUCHED BY GINSBERG AT A (RELATIVELY) TENDER AGE")
The bad poet is usually unconscious where he ought to be conscious, and conscious where he ought to be unconscious. Both errors tend to make him "personal." Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.
I am a poet largely because poetry verges closely on mythic power...The fool is the one who insists on his truth to the exclusion of others. And after all, truth, beauty, the very meaning of words-all these are relative values. This is the realm of poetry. However, you could also say that I am a poet as the result of laziness. I am too lazy to write more prose than I do. Prose is like making love to one woman instead of to fifty, which you can do with poetry...Writing should always be a pleasure, spontaneous-like making love.
From the age of twenty, my ego has been invested in poetry. For me, the prospect of expression through poetry transforms solitary silence and an empty page into sheer pleasure. I feel unafraid, knowing I can break all the rules, invent my own forms. No matter what persona I take on, my voice remains accessible and recognizable. There is no artifice, no pose, no sense that I have to transform myself into someone else. As a poet, I remain comfortably disrespectful. I experiment, take risks which sometimes work and sometimes don't. For years I have had no such courage in essay writing. It has seemed an iron-clad genre that I could neither escape nor fit into.
For a very long time, poems were a way of talking about what I couldn't talk about any other way. And why is it that you're not able to talk about certain things? It's because they are the points of danger, you feel that in the social fabric, you feel there are people who don't want you to raise this question, or if you're a child-to ask this question. That is the threatening place, and of course it becomes a place of great fascination too. I was equipped from a very young age to use language in this way because of how I was brought up, and by whom I was brought up, and the fact that poetry was available to me as a choice, when it might not have been for another seven or ten years if I'd been another child.
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