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" "In , Rollo May recounts an experience he had with a Cézanne painting, contending that the painting was “mythic” because it encompassed “near and far, past, present and future, conscious and unconscious in one immediate totality of our relationship to the world.” In this way, myth acts as a lens through which we can discover the reality that exists beyond the limits of simple linear perception; it is an image, a verbal construct, that allows truth to emerge into direct consciousness. In this way, myth allows us to rediscover ourselves in our most human and ennobling dimensions. Through it we are allowed to see our own transcendent powers triumphant; we know, experientially, our true identity and our human capacity that is beyond behaviorism, history, and the machine.
Paula Gunn Allen (October 24, 1939 – May 29, 2008) was an American poet, literary critic, activist, professor, and novelist. Of mixed-race European-American, Native American, and Arab-American descent, she identified with her mother's people, the Laguna Pueblo and childhood years. She drew from its oral traditions for her fiction poetry and also wrote numerous essays on its themes. She edited four collections of Native American traditional stories and contemporary works and wrote two biographies of Native American women. In addition to her literary work, in 1986 she published a major study on the role of women in American Indian traditions, arguing that Europeans had de-emphasized the role of women in their accounts of native life because of their own patriarchal societies. It stimulated other scholarly work by feminist and Native American writers.
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Ethnohistorians have traditionally assigned male gender to native figures in the documentary record unless otherwise identified. They have also tended to not identify native individuals as leaders unless so identified in the specific source. This policy, while properly cautious, has fostered the notion that all native persons mentioned in the documentation were both male and commoners unless otherwise identified. This practice has successfully masked the identities of a substantial number of Coastal Algonkian leaders of both sexes. And that’s not all it successfully achieves. It falsifies the record of people who are not able to set it straight; it reinforces patriarchal socialization among all Americans, who are thus led to believe that there have never been any alternative structures; it gives Anglo-Europeans the idea that Indian societies were beneath the level of organization of western nations, justifying colonization by presumption of lower stature; it masks the genocide attendant on the falsification of evidence, as it masks the gynocidal motive behind the genocide. Political actions coupled with economic and physical disaster in the forms of land theft and infection of native populations caused the Mid-Atlantic Algonkians to be overwhelmed by white invaders.
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The structures that embody expressed and implied relationships between human and nonhuman beings, as well as the symbols that signify and articulate them, are designed to integrate the various orders of consciousness. Entities other than the human participants are present at ceremonial enactments, and the ceremony is composed for their participation as well as for that of the human beings who are there. Some tribes understand that the human participants include members of the tribe who are not physically present and that the community as a community, not simply the separate persons in attendance, enact the ceremony.