The pilot, who was an intelligent man, had listened in silence to the talk till he was asked to speak. Now every one turned to him, and he said: You … - Leo Tolstoy

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The pilot, who was an intelligent man, had listened in silence to the talk till he was asked to speak. Now every one turned to him, and he said: You are all misleading one another, and are yourselves deceived. The sun does not go round the earth, but the earth goes round the sun, revolving as it goes, and turning towards the sun in the course of each twenty-four hours, not only Japan, and the Philippines, and Sumatra where we now are, but Africa, and Europe, and America, and many lands besides. The sun does not shine for some one mountain, or for some one island, or for some one sea, nor even for one earth alone, but for other planets as well as our earth. If you would only look up at the heavens, instead of at the ground beneath your own feet, you might all understand this, and would then no longer suppose that the sun shines for you, or for your country alone. Thus spoke the wise pilot, who had voyaged much about the world, and had gazed much upon the heavens above.

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About Leo Tolstoy

Lev Nikolayevitch Tolstoy [Ле́в Никола́евич Толсто́й, usually rendered Leo Tolstoy, or sometimes Tolstoi] (9 September 1828 – 20 November 1910) was a Russian writer, philosopher and social activist (social critic), whose novels War and Peace and Anna Karenina are internationally praised classics of world literature. He was a major influence on the development of Christian anarchism and pacifism, contributing to such nonviolent resistance movements as those of Mahatma Gandhi, Martin Luther King, Jr., and James Bevel.

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Also Known As

Birth Name: Lev Nikolayevich Tolstoy
Native Name: Лев Никола́евич Толсто́й
Alternative Names: Count Lev Nikolayevich Tolstoy Tolstoy, Leo, graf, 1828-1910 Tolstoĭ, Lev Nikolaevich, graf, 1828-1910 Lev Nikolayevich Tolstoĭ Leo Tolstoi
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The Christianity of the first centuries recognized as productions of good art, only legends, lives of saints, sermons, prayers, and hymn-singing evoking love of Christ, emotion at his life, desire to follow his example, renunciation of worldly life, humility, and the love of others; all productions transmitting feelings of personal enjoyment they considered to be bad, and therefore rejected ... This was so among the Christians of the first centuries who accepted Christ teachings, if not quite in its true form, at least not yet in the perverted, paganized form in which it was accepted subsequently. But besides this Christianity, from the time of the wholesale conversion of whole nations by order of the authorities, as in the days of Constantine, Charlemagne and Vladimir, there appeared another , a Church Christianity, which was nearer to paganism than to Christ's teaching. And this Church Christianity ... did not acknowledge the fundamental and essential positions of true Christianity — the direct relationship of each individual to the Father, the consequent brotherhood and equality of all people, and the substitution of humility and love in place of every kind of violence — but, on the contrary, having founded a heavenly hierarchy similar to the pagan mythology, and having introduced the worship of Christ, of the Virgin, of angels, of apostles, of saints, and of martyrs, but not only of these divinities themselves but of their images, it made blind faith in its ordinances an essential point of its teachings. However foreign this teaching may have been to true Christianity, however degraded, not only in comparison with true Christianity, but even with the life-conception of the Romans such as Julian and others, it was for all that, to the barbarians who accepted it, a higher doctrine than their former adoration of gods, heroes, and good and bad spirits. And therefore this teaching was a religion to them, and on the basis of that religion the art of the time was assessed. And art transmitting pious adoration of the Virgin, Jesus, the saints, and the angels, a blind faith in and submission to the Church, fear of torments and hope of blessedness in a life beyond the grave, was considered good; all art opposed to this was considered bad.

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