Paul [McKenna] and I have been working on making each other’s hair fall out for years now, with some success. - Derren Brown

I decided that my magic had to change. That I had to give serious thought to presentation. That, in fact, my presentation of the effects is where my impact as a magician lies – I realised that it can turn a good effect into something artistic and stunning.

The interest in Lego may have come later. Certainly the grown-up Technic variant, with it gears and cogs and motors, fascinated me the most, and presumably some way into adolescence, as I remember constructing a colourful mechanical Wanking Machine during long periods upstairs in my room. The inevitable problem of round pegs and square holes sadly rendered this particular project fruitless, on many levels, but the manufacturers might like to take note of the idea when planning other themed kits for their teenage boy demographic.

In 1883 a relatively unknown Italian magician and alchemist called Alessandro Donnini chose the streets of Venice for an incredible treasure hunt. He asked the count Giovanni Francesco to hide a necklace anywhere in the district of San Marco, and Alessandro's task was to find it. All of Venice was invited to watch and place their bets as to whether or not he could do it. Alessandro used a method called muscle reading. He had the count hold on to his wrist and felt for any tiny unconscious clues, as to which way to go. He found the necklace in just over an hour and a half. It was a triumph, and all the townsfolk went fucking mental.