From the first time he’d met her, he’d sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. Sh… - Charles de Lint

The trouble with magic is that there's too much it just can't fix. When things go wrong, glimpsing junkyard faerie and crows that can turn into girls and back again doesn't help much. The useful magic's never at hand. The three wishes and the genies in bottles, seven-league boots, invisible cloaks and all. They stay in stories, while out here in the wide world we have to muddle through as best we can on our own.

I can’t imagine it now, but I must’ve been innocent at some time in my life. A baby don’t just get itself born bad, do it?

People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist’s work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I’m concerned, even titling a work is an unnecessary concession.