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Der Künstler darf eben so wenig herrschen als dienen wollen. 15 Er kann nur bilden, nichts als bilden, für den Staat also nur das thun, dass er Herrscher und Diener bilde, dass er Politiker und Oekonomen zu Künstlern erhebe.

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I don’t think artists can compete—except as to money and prizes, and, of course, status. Which may be temporary. But not on the page. Or the canvas or the stone. Or the musical score. All you can hope to be is worthy of the company you respect.

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Let us not violate the RIGHT of the artist to express exclusively his own experiences and introspections, disregarding everything that happens in the world beyond. Let us not DEMAND of the artist, but — reproach, beg, urge and entice him — that we may be allowed to do. After all, only in part does he himself develop his talent; the greater part of it is blown into him at birth as a finished product, and the gift of talent imposes responsibility on his free will. Let us assume that the artist does not OWE anybody anything: nevertheless, it is painful to see how, by retiring into his self-made worlds or the spaces of his subjective whims, he CAN surrender the real world into the hands of men who are mercenary, if not worthless, if not insane.

An individual who has to make things for the use of others, and with reference to their wants and their wishes, does not work with interest, and consequently cannot put into his work what is best in him. Upon the other hand, whenever a community or a powerful section of a community, or a government of any kind, attempts to dictate to the artist what he is to do, Art either entirely vanishes, or becomes stereotyped, or degenerates into a low and ignoble form of craft.

The only duty an artist has is in the quality of the art. There is no moral obligation to denounce. An artist confronted with a tremendous injustice sometimes feels inclined to say something. Denouncing the situation is the artist’s choice.

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