Without any censorship, in the West fashionable trends of thought and ideas are carefully separated from those which are not fashionable; nothing is forbidden, but what is not fashionable will hardly ever find its way into periodicals or books or be heard in colleges. Legally your researchers are free, but they are conditioned by the fashion of the day. There is no open violence such as in the East; however, a selection dictated by fashion and the need to match mass standards frequently prevent independent-minded people from giving their contribution to public life. There is a dangerous tendency to form a herd, shutting off successful development.
Russian writer, publicist, poet and politician (1918–2008)
Aleksandr Isayevich Solzhenitsyn [Алекса́ндр Иса́евич Солжени́цын] (11 December 1918 – 3 August 2008) was a Russian philosopher, novelist, dramatist and historian. Awarded the Nobel Prize in Literature in 1970, he was exiled from the Soviet Union in 1974, returning to Russia in 1994.
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In recent times it has been fashionable to talk of the levelling of nations, of the disappearance of different races in the melting-pot of contemporary civilization. I do not agree with this opinion, but its discussion remains another question. Here it is merely fitting to say that the disappearance of nations would have impoverished us no less than if all men had become alike, with one personality and one face. Nations are the wealth of mankind, its collective personalities; the very least of them wears its own special colours and bears within itself a special facet of divine intention.
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Sometimes the principal emotion of the person arrested is relief and even happiness! This is another aspect of human nature. It happened before the Revolution too: the Yekaterinodar schoolteacher Serdyukova, involved in the case of Aleksandr Ulyanov, felt only relief when she was arrested. But this feeling was a thousand times stronger during epidemics of arrests when all around you they were hauling in people like yourself and still had not come for you; for some reason they were taking their time. After all, that kind of exhaustion, that kind of suffering, is worse than any kind of arrest, and not only for a person of limited courage.
Shukhov went to sleep fully content. He'd had many strokes of luck that day: they hadn't put him in the cells; they hadn't sent his squad to the settlement; he'd swiped a bowl of kasha at dinner; the squad leader had fixed the rates well; he'd built a wall and enjoyed doing it; he'd smuggled that bit of hacksaw blade through; he'd earned a favor from Tsezar that evening; he'd bought that tobacco. And he hadn't fallen ill. He'd got over it.
A day without a dark cloud. Almost a happy day.
There were three thousand six hundred and fiftythree days like that in his stretch.
From the first clang of the rail to the last clang of the rail.
Three thousand six hundred and fifty-three days.
The three extra days were for leap years.
The line separating good and evil passes not through states, nor between classes, nor between political parties either – but right through every human heart…even within hearts overwhelmed by evil, one small bridgehead of good is retained. And even in the best of all hearts, there remains…an uprooted small corner of evil.
Thanks to ideology the twentieth century was fated to experience evildoing calculated on a scale in the millions.
Alas, all the evil of the twentieth century is possible everywhere on earth. Yet, I have not given up all hope that human beings and nations may be able, in spite of all, to learn from the experience of other people without having to go through it personally.
And the simple step of a simple courageous man is not to partake in falsehood, not to support false actions! Let THAT enter the world, let it even reign in the world - but not with my help. But writers and artists can achieve more: they can CONQUER FALSEHOOD! In the struggle with falsehood art always did win and it always does win! Openly, irrefutably for everyone! Falsehood can hold out against much in this world, but not against art. And no sooner will falsehood be dispersed than the nakedness of violence will be revealed in all its ugliness — and violence, decrepit, will fall.
By dying young, a man stays young forever in people’s memory. If he burns brightly before he dies, his light shines for all time. In his musings during the past few weeks Vadim had discovered an important and at first glance paradoxical point: a man of talent can understand and accept death more easily than a man with none — yet the former has more to lose. A man of no talent craves long life, yet Epicurus had once observed that a fool, if offered eternity, would not know what to do with it.