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And as for the close connection between philosophy and poetry, we can refer to a little-known statement by Thomas Aquinas in his Commentary on Aristo… - Josef Pieper
" "And as for the close connection between philosophy and poetry, we can refer to a little-known statement by Thomas Aquinas in his Commentary on Aristotle's Metaphysics [I, 3]: the Philosopher is akin to the Poet in this, that both are concerned with the mirandum, the "wondrous," the astonishing, or whatever calls for astonishment or wonder. This statement is not that easy to fathom, since Thomas, like Aristotle, was a very sober thinker, completely opposed to any Romantic confusion of properly distinct realms. But on the basis of their common orientation towards the "wonderful" (the mirandum — something not to be found in the world of work!) — on this basis, then, of this common transcending-power, the philosophical act is related to the "wonderful," is in fact more closely related to it than to the exact, special sciences; to this point we shall return.
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About Josef Pieper
Josef Pieper (4 May 1904 – 6 November 1997) was a German Catholic philosopher, at the forefront of the Neo-Thomistic wave in twentieth century philosophy.
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To experience and live out a harmony with the world, in a manner quite different from that of everyday life — this, we have said, is the meaning of "festival." But no more intense harmony with the world can be thought of than that of "Praise of God," the worship of the Creator of this world. Now, as I have often experienced, this statement is often received with a mixture of discomfort and various other feelings, but its truth cannot be denied. The most festive festival that can be celebrated is religious worship or "cult," and there is no festival that does not get its life from such worship or does not actually derive its origin from this. There is no worship "without the gods," whether it be mardi gras or a wedding.
No less incommensurable with the working-world than the philosophical question is the sound of true poetry. […] The lover, too, stands outside the tight chain of efficiency of this working world, and [so does] whoever else approaches the margin of existence through some deep existential disturbance (which always brings a "shattering" of one's environment), or through, say, the proximity of death.
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Let us now pose the question again: is recourse to the "human" really enough to preserve and firmly ground the reality of leisure? I intend to show that such recourse to mere Humanism is not enough.
It could be said that the heart of leisure consists in "festival." In festival, or celebration, all three conceptual elements come together as one: the relaxation, the effortlessness, the ascendancy of "being at leisure" […] over mere function.
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