A woman goes walking down a thousand-mile road. Twenty minutes after she steps forth, they proclaim that she still has nine hundred ninety-nine miles… - Rebecca Solnit

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A woman goes walking down a thousand-mile road. Twenty minutes after she steps forth, they proclaim that she still has nine hundred ninety-nine miles to go and will never get anywhere.

English
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About Rebecca Solnit

Rebecca Solnit (born June 24, 1961) is an American writer. She has written on a variety of subjects, including feminism, the environment, politics, place, and art.

Biography information from Wikiquote

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The term 'politics of prefiguration' has long been used to describe the idea that if you embody what you aspire to, you have already succeeded. That is to say, if your activism is already democratic, peaceful, creative, then in one small corner of the world these things have triumphed. Activism, in this model, is not only a toolbox to change things but a home in which to take up residence and live according to your beliefs, even if it's a temporary and local place...

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It is in the nature of things to be lost and not otherwise. Think of how little has been salvaged from the compost of time of the hundreds of billions of dreams dreamt since the language to describe them emerged, how few names, how few wishes, how few languages even, how we don’t know what tongues the people who erected the standing stones of Britain and Ireland spoke or what the stones meant, don’t know much of the language of the Gabrielanos of Los Angeles or the Miwoks of Marin, don’t know how or why they drew the giant pictures on the desert floor in Nazca, Peru, don’t know much even about Shakespeare or Li Po. It is as though we make the exception the rule, believe that we should have rather than that we will generally lose. We should be able to find our way back again by the objects we dropped, like Hansel and Gretel in the forest, the objects reeling us back in time, undoing each loss, a road back from lost eyeglasses to lost toys and baby teeth. Instead, most of the objects form the secret constellations of our irrecoverable past, returning only in dreams where nothing but the dreamer is lost. They must still exist somewhere: pocket knives and plastic horses don’t exactly compost, but who knows where they go in the great drifts of objects sifting through our world?

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