The men in the room suddenly realized that they did not want to know her better. She was beautiful, but she was beautiful in the way a forest fire was beautiful: something to be admired from a distance, not up close.

And she held her sword, and she smiled like a knife.

The clean delicate lines of her figure, the exquisite pure colouring of hair and skin, the charming young arrogance of the eyes — this was beauty, he reflected, a miracle, a revelation. Her virginal fineness and her dress, which was the tint of pale fire, gave her the air of a creature of ice and flame.

Distance is the soul of the beautiful.

Not to know one another to a degree that went beyond all possibility of knowing one another was beautiful.

It troubled her much to see what a great flame a little wildfire was likely to kindle.

Maybe the moon is beautiful only because it is far.

She was dazzling — alight; it was agony to comprehend her beauty in a glance.

The earth recedes from me into the night, I saw that it was beautiful . . . . and I see that what is not the earth is beautiful.

Nature was beautiful, even in her tears

What is it about fire that's so lovely? No matter what age we are, what draws us to it?...The thing man wanted to invent, but never did...If you let it go on, it'd burn our lifetimes out. What is fire? It is a mystery. Scientists give us gobbledygook about friction and molecules. But they don't really know. Its real beauty is that it destroys responsibility and consequences.

She shone for me like the Evening Star. I loved her dearly — but at a distance.

We’ve all encountered those people who out of the corner of our eye, from across the street, at magic hour appear astoundingly attractive, even god or goddess like: the way they move, the way the light hits them, invokes reverence and all, the impression. And then we got a closer look. Damn it. Let down. Good from afar, but far from good. Some people will never be more attractive than in that first impression, from a distance, in that light, at that time, in that way we saw them, when our hopes became highest and our wish fulfillment was fully let it. They will never look better than in that initial fuzzy edge clingups, impressions. The white shot. Some relationships are better in a white shot. More impressive in the impressions. Like in-laws, best to only see an hour a day, like neighbors, its while we have walls and fences, like that long distance romance that fell apart when you moved in together, like that summer fling that only lasted through August, that friend that became a lover that you now miss as a friend, like ourselves when we are a fraud. They are better from a distance, with less frequency, with less intimacy. Sometimes we need more space, it’s romance, it’s imagination. Distance is the flirt in a wing, it is frivolous, its mysterious, a fantasy, a constant honeymoon because we can’t quite see it, we aren’t quite sure about it, we don’t quite know it. It’s a fuck, it’s detachment, it’s separate, it’s public, it’s carefree, it’s painless, it’s for rent. And we like it that way, because sometimes it is better with the lights dimmed.

Those who had before known her, and had expected to behold her dimmed and obscured by a disastrous cloud, were astonished, and even startled, to perceive how her beauty shone out, and made a halo of the misfortune and ignominy in which she was enveloped. It may be true that, to a sensitive observer, there was some thing exquisitely painful in it.

From thirty feet away she looked like a lot of class. From ten feet away she looked like something made up to be seen from thirty feet away.