On a sunny afternoon, you start off. Naturally, you rise high in the air so as to avoid obstacles of trees, buildings, etc. Uncertain, you don't go t… - Robert Monroe

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On a sunny afternoon, you start off. Naturally, you rise high in the air so as to avoid obstacles of trees, buildings, etc. Uncertain, you don't go too high. You want to be able to recognize landmarks which might be difficult to see from five thousand feet. Therefore, you stay low, about a hundred feet off the ground. Now, which way to go. You look for points of familiarity. It is at that moment you realize you have a problem. You don't have a compass course to George's house, and it wouldn't do you any good if you did. You don't have a compass. Undaunted, you decide to cut across the city, using the familiar buildings and streets as guideposts. You have driven the route many times, so you should find your way easily.

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About Robert Monroe

Robert Allan Monroe (October 30, 1915 – March 17, 1995) was a radio broadcasting executive who became known for his research into altered consciousness and founding The Monroe Institute. His 1971 book Journeys Out of the Body is credited with popularizing the term "out-of-body experience".

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Alternative Names: Robert A. Monroe Robert Allan Monroe
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Additional quotes by Robert Monroe

To me, it was a place or condition of pure peace, yet exquisite emotion. It was as if you were floating in warm soft clouds where there is no up or down, where nothing exists as a separate piece of matter. The warmth is not merely around you, it is of you and through you. Your perception is dazzled and overwhelmed by the Perfect Environment. The cloud in which you float is swept by rays of light in shapes and hues that are constantly changing, and each is good as you bathe in them as they pass over you. Ruby-red rays of light, or something beyond what we know as light, because no light ever felt this meaningful. All the colors of the spectrum come and go constantly, never harshly, and each brings a different soothing or restful happiness... You respond and drink into you the eternity of the blues, yellows, greens, and reds, and the complexities of the intermediates. All are familiar to you. This is where you belong. This is Home... The mundane is missing. Choirs of human-sounding voices echo in wordless song. Infinite patterns of strings in all shades of subtle harmony interweave in cyclical yet developing themes, and you resonate with them. There is no source from which the Music comes. It is there, all around you, in you, you are a part of it, and it is you.

My first visits to Locale II brought out all the repressed emotional patterns I even remotely considered I had—plus many I didn't know existed. They so dominated my actions that I returned completely abashed and embarrassed at their enormity and my inability to control them. Fear was the dominant theme—fear of the unknown, of strange beings (non-physical), of "death," of God, of rule-breaking, of discovery, and of pain, to name only a few. Such fears were stronger than the sexual drive for union, which, as noted which, as noted elsewhere, was in itself a tremendous obstacle.

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The first step in making some kind of sense out of this mass of raw data was to set up standards for measurement and analysis. After several attempts, it became apparent that only a few of the typical yardsticks could be applied. Therefore, assumptions or premises were made to permit identification in the sorting process, and the conclusions brought forth are only as valid as the premises on which they are based.

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