Exterior. Football field. Late afternoon. The game is over. CARLISLE 27. ARMY 6. The players of both teams—dirty, bloody, exhausted—mingle, shaking h… - N. Scott Momaday

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Exterior. Football field. Late afternoon. The game is over. CARLISLE 27. ARMY 6. The players of both teams—dirty, bloody, exhausted—mingle, shaking hands on their way to the locker rooms. Dwight Eisenhower, limping badly, makes a great effort to intercept . He extends his hand and seems to want to say something but doesn't. His silence is pure tribute. Thorpe takes his hand, regards him for a moment.

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About N. Scott Momaday

N. Scott Momaday (February 27, 1934 – January 24, 2024) was a Kiowa novelist, short story writer, essayist and poet. His novel House Made of Dawn was awarded the Pulitzer Prize for Fiction in 1969, and is considered the first major work of the Native American Renaissance. His follow-up work The Way to Rainy Mountain blended folklore with memoir. Momaday received the National Medal of Arts in 2007 for his work's celebration and preservation of indigenous oral and art traditions. He held twenty honorary degrees from colleges and universities and was a fellow of the American Academy of Arts and Sciences.

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Also Known As

Birth Name: Navarre Scott Momaday
Alternative Names: Navarre Scott Mammedaty Tsoai-talee Rock Tree Boy

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I prayed. He was going home, and I wanted to pray. Look out for me, I said; look out each day and listen for me. And we were going together on horses to the hills. We were going to ride out in the first light to the hills. We were going to see how it was, and always was, how the sun came up with a little wind and the light ran out upon the land. We were going to get drunk, I said. We were going to be all alone, and we were going to get drunk and sing. We were going to sing about the way it always was. And it was going to be right and beautiful. It was going to be the last time. And he was going home.

This belongs to an eagle, he says. And the eagle belongs to the earth and sky. The feather, by itself, may seem a small thing, but the creature of which it is a part is very powerful. That power resides in this feather. It is a power tha tbinds all thing stogether. When I fold this feather, its power flows into me.

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In the white man's world, language, too — and the way which the white man thinks of it — has undergone a process of change. The white man takes such things as words and literatures for granted, as indeed he must, for nothing in his world is so commonplace. On every side of him there are words by the millions, an unending succession of pamphlets and papers, letters and books, bills and bulletins, commentaries and conversations. He has diluted and multiplied the Word, and words have begun to close in on him. He is sated and insensitive; his regard for language — for the Word itself — as an instrument of creation has diminished nearly to the point of no return. It may be that he will perish by the Word.

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