La vie est incréée. Étranger à la création, étranger au monde, tout procès conférant la Vie est un procès de génération. - Michel Henry

As usual, history reverses the true order of things, the ontological order of their foundation. Kandinsky never truly asked himself what would replace the object and what painting would be able to paint from then on. Ever since a walk in the countryside around Munich where the violence of a colour perceived in the undergrowth gave rise to an intense emotion and he decided to paint what surrounded this colour -- the view of this woods -- in order to represent this emotion, he knew with a knowledge that no reflection can clarify and that no history precedes, with a knowledge that is constituted by this emotion itself, that he wanted to paint this emotion and this emotion was the only thing that he would paint thereafter. This was the content of all possible paintings: the profusion of life in himself, its intensification and exaltation.

Precise behaviors of the kind indicated in the New Testament were summarized by medieval theology as the “seven works of corporal mercy” (to feed those who are hungry, clothe those who are naked, care for the sick, release captives, visit prisoners, and so on) and of spiritual mercy (teach the ignorant, convert sinners, console the afflicted, pardon one’s enemies, pray for the living and the dead, and the like). It is not conformity with an external model of conduct that is required. Rather, within each person who performs each of the stated acts of mercy, salvation flows. Salvation is the second birth entry into the new Life. The action of the Christian ethic places the living person into the absolute Life that was before him and, giving him to himself, gave him life in his condition as Son.

Le marxisme est l'ensemble des contresens qui ont été faits sur Marx.