A lone walker is both present and detached, more than an audience but less than a participant. Walking assuages or legitimizes this alienation. - Rebecca Solnit

For a while it was forever, and then things started to fall apart. There isn't a story to tell, because a relationship is a story you construct together and take up residence in, a story as sheltering as a house. You invent this story of how your destinies were made to entwine like porch vines, you adjust to a big view in this direction and no view in that, the doorway that you have to duck through and the window that is jammed, how who you think you are becomes a factor of who you think he is and who he thinks you are, a castle in the clouds made out of the moist air exhaled by dreamers. It's a shock to find yourself outdoors and alone again, hard to imagine that you could ever live in another house, big where this one was small, small where it was big, hard when your body has learned all the twists and turns of the staircase so that you could walk it in your sleep, hard when you have built it from scratch and called it home, hard to imagine building again. But you lit the fire that burned it down yourself.

The map of utopias is cluttered nowadays with experiments by other names, and the very idea is expanding. It needs to open up a little more to contain disaster communities. These remarkable societies suggest that, just as many machines reset themselves to their original settings after a power outage, human beings reset themselves to something altruistic, communitarian, resourceful and imaginative after a disaster, that we revert to something we already know how to do. The possibility of paradise is already within us as a default setting.

There’s no good reason (and many bad reasons) colleges spend more time telling women how to survive predators than telling the other half of their students not to be predators. (p30)