HAMM: In my house. (pause.) One day you’ll be blind, like me. You’ll be sitting there, a speck in the void, in the dark, for ever, like me. (pause.) … - Samuel Beckett

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HAMM:
In my house.
(pause.)
One day you’ll be blind, like me. You’ll be sitting there, a speck in the void, in the dark, for ever, like me.
(pause.)
One day you’ll say to yourself, I’m tired, I’ll sit down, and you’ll go and sit down. Then you’ll say, I’m hungry, I’ll get up and get something to eat. But you won’t get up. You’ll say, I shouldn’t have sat down, but since I have I’ll sit on a little longer, then I’ll get up and get something to eat. But you won’t get up and you won’t get anything to eat.
(pause.)
You’ll look at the wall a while, then you’ll say, I’ll close my eyes, perhaps have a little sleep, after that I’ll feel better, and you’ll close them. And when you open them again there’ll be no wall any more.
(pause.)
Infinite emptiness will be all around you, all the resurrected dead of all the ages wouldn’t fill it, and there you’ll be like a little bit of grit in the middle of the steppe.
(pause.)
Yes, one day you’ll know what it is, you’ll be like me, except that you won’t have anyone with you, because you won’t have had pity on anyone and because there won’t be anyone left to have pity on.
(pause.)

English
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About Samuel Beckett

Samuel Beckett (13 April 1906 – 22 December 1989) was an Irish playwright, novelist, poet and winner of the 1969 Nobel Prize in Literature. He wrote mainly in English and French.

Biography information from Wikiquote

Also Known As

Alternative Names: Samuel Barclay Beckett Andrew Belis Sam Beckett Sa-miao-erh Pei-kʻo-tʻe Samuel Beḳeṭ
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Of all the laughs that strictly speaking are not laughs, but modes of ululation, only three I think need detain us, I mean the bitter, the hollow and the mirthless. They correspond to successive… how shall I say successive… suc… successive excoriations of the understanding, and the passage from the one to the other is the passage from the lesser to the greater, from the lower to the higher, from the outer to the inner, from the gross to the fine, from the matter to the form. The laugh that now is mirthless once was hollow, the laugh that once was hollow once was bitter. And the laugh that once was bitter? Eyewater, Mr. Watt, eyewater. But do not let us waste our time with that. . . . The bitter, the hollow and — Haw! Haw! — the mirthless. The bitter laugh laughs at that which is not good, it is the ethical laugh. The hollow laugh laughs at that which is not true, it is the intellectual laugh. Not good! Not true! Well well. But the mirthless laugh is the dianoetic laugh, down the snout — Haw! — so. It is the laugh of laughs, the risus purus, the laugh laughing at the laugh, the beholding, the saluting of the highest joke, in a word the laugh that laughs — silence please — at that which is unhappy”.

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