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I lived, particularly in childhood but with lessening intensity right on to middle age, in a world that was peculiarly and intimately my own, scarcely to be shared with others or even made plausible to them. I habitually read special meanings into things, scenes and places — qualities of wonder, beauty, promise, or horror — for which there was no external evidence visible or plausible to others. My world was peopled with mysteries, seductive hints, vague menaces, "intimations of immortality."
[On the question "Is bird imitation valid in jazz?"] I don’t know if it's valid in jazz, [...] but I enjoy it. It somehow comes in as part of the development of what I'm doing. Sometimes I can't do it.
At home [in California] I used to play, and the birds always used to whistle with me. I would stop what I was working on and play with the birds.
I’ve always been fascinated by different accents and dialects. As a kid, I didn’t go out much, so I would spend my time learning how to mimic people. Once I learned how to tape things off the TV, I would oftentimes tape things so that I could mimic them back—standup sets on HBO that I should not have been watching at that age because they were way too R-rated for my eight-year-old brain. I would memorize them and then go and perform them for show-and-tell, and my teachers would call my parents and say that I was doing very inappropriate standup sets. I was a super shy, shy kid, so that was kind of my way of expressing myself—to mimic what I saw on TV. I was a bit of a weird kid, but luckily my parents encouraged it.
When I was a kid I believed everything I was told, everything I read, and every dispatch sent out by my own overheated imagination. This made for more than a few sleepless nights, but it also filled the world I lived in with colors and textures I would not have traded for a lifetime of restful nights.
At a very young age I found I could irritate people with this born ability to mimic just about anything I hear. I listened to sparrows outside my bedroom window and then could talk to them and other birds, and squirrels, horses, cows and an occasional human. Some folks refer to this as a special talent to me it was a fortunate aberration that has been a great tool in this biz. I try to be authentic in reproduction of animals. When it comes to the creatures it was usually an open page and I really enjoyed creating sound for them usually to picture on screen in a sound studio…what fun!!! Also, this is sometimes punishing to the vocal cords thus the three days.
Reading for me was a refuge. I could escape from everything that was miserable in my life and I could be anyone I wanted to be in a story, through a character. It was almost sinful how much I liked it. That's how I felt about it. If my parents knew how much I loved it, I thought they would take it away from me. I think I was also blessed with a very wild imagination because I can remember, when I was at an age before I could read, that I could imagine things that weren't real and whatever my imagination saw is what I actually saw. Some people would say that was psychosis but I prefer to say it was the beginning of a writer's imagination. If I believed that insects had eyes and mouths and noses and could talk, that's what they did. If I thought I could see devils dancing out of the ground, that's what I saw. If I thought lightning had eyes and would follow me and strike me down, that's what would happen. And I think I needed an outlet for all that imagination, so I found it in books.
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