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" "The milder side of the Rājput character is represented in the cult of Krishna at Nāthdwāra. The Mahant or Abbot of the temple, situated at the old village of Siārh, twenty-two miles from the city of Udaipur, enjoys semi-royal state. In anticipation of the raid by Aurangzeb on Mathura, A.D. 1669-70, the ancient image of Kesavadeva, a form of Krishna, ‘He of the flowing locks,’ was removed out of reach of danger by Rāna Rāj Singh of Mewār. When the cart bearing the image arrived at Siārh, the god, by stopping the cart, is said to have expressed his intention of remaining there. This was the origin of the famous temple, still visited by crowds of pilgrims, and one of the leading seats of the Vallabhāchārya sect, ‘the Epicureans of the East,’ whose practices, as disclosed in the famous Mahārāja libel case, tried at Bombay in 1861, gave rise to grievous scandal. The ill-feeling against this sect, aroused by these revelations, was so intense that the Mahārāja of Jaipur ordered that the two famous images of Krishna worshipped in his State, which originally came from Gokul, near Mathura, should be removed from his territories into those of the Bharatpur State.
Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an English-born officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.
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I could have consumed a month in surveying the works of the princely merchant, but time pressed, and other objects of equal importance awaited me. Passing through a court, a flight of steps conducts to the rival temple, dedicated to Parswanat’h, the twenty-third and most popular of the Jineswars. This shrine was erected by the brothers Tej Pal and Bussunt Pal, likewise merchants of the Jain persuasion, who inhabited the city of Chandravati during the sway of Dharaburz, and when Bheem Deo was paramount sovereign of Western India. The design and execution of this shrine and all its accessories are on the model of the preceding, which, however, as a whole, it surpasses. It has more simple majesty, the fluted columns sustaining the munduff are loftier, and the vaulted interior is fully equal to the other in richness of sculpture, and superior to it in the execution, which is more free and in finer taste... It is impossible to give a distinct idea of the richness and variety of the bassi-relievi either of the principal dome or the minor ones which surround it. We must not, however, overlook a singular ornament pendant from the larger vault, the delineation of which defies the pen, and would tax to the utmost the pencil of the most patient artist. Although it has some analogy to the corbeille of a gothic cathedral, there is nothing in the most florid style of gothic architecture that can be compared with this in richness. Its form is cylindrical, about three feet in length, and where it drops from the ceiling, it appears like a cluster of the half-disclosed lotus, whose cups are so thin, so transparent, and so accurately wrought, that it fixes the eye in admiration….
Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome commit the very gregarious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover,… that the chronicles of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren, as those of the early Rajputs.
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While the battle was still doubtful, the Tuar traitor who led the van (harawal) went over to Babur, and Sanga was obliged to retreat from the field, which in the onset promised a glorious victory, himself severely wounded and the choicest of his chieftains slain: Rawal Udai Singh of Dungarpur, with two hundred of his clan; Ratna of Salumbar, with three hundred of his Chondawat kin; Raemall Rathor, son of the prince of Marwar, with the brave Mertia leaders Khetsi and Ratna; Ramdas the Sonigira Rao; Uja the Jhala; Gokuldas Pramara; Manikchand and Chandrbhan, Chauhan chiefs of the first rank in Mewar; besides a host of inferior names. Hasan Khan of Mewat, and a son of the last Lodi king of Delhi, who coalesced with Sanga, were amongst the killed. Triumphal pyramids were raised of the heads of the slain, and on a hillock which overlooked the field of battle a tower of skulls was erected; and the conqueror assumed the title of Ghazi, which has ever since been retained by his descendants.