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" "Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome commit the very gregarious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover,… that the chronicles of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren, as those of the early Rajputs.
Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an English-born officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.
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PALIT’HANA – NOVEMBER 17th –…never did pilgrim, Jain or Buddhist, approach the sacred Mount Satrunja with more excited feelings than I, a “barbarian” Frank. I had, however, allowed imagination to outstrip experience, having no right to look for grand discoveries in the lands over which Mahomed [Mahmud of Ghazni] and Alla [Alauddin Khalji] had led their legions, fulfilling the iconoclastic injunctions of Moses, conveyed through the Prophet of Islam…however extensive their demolition of religious edifices, it was beyond the power of these conquerors to destroy the memorials of a sect which, more than any other, depended on tradition for the perpetuity of their tenets. Palit’hana, ‘the dwelling of the Palli,’ is situated at the eastern base of Satrunja, the mount sacred to Adnath (the first of the twenty-four hierophants of the Jains), which rises nearly two thousand feet, and is between two and three miles in ascent, taking the sinuosities of the route into account. My researches in this interesting spot were materially aided by an introduction through my own Yuti to some learned priests, now here on a pilgrimage, who gave me much information on points connected with their religion, as well as details concerning the teerut, from the Satrunja Mahatma, a portion of which work they had with them… Satrunja is one of the Panj-teer’thas, or five places of pilgrimage of the Jains. Of these, three, viz. Arbudha, Satrunja, and Girnar, are at hand. The fourth, Samel-sikra, is in the ancient kingdom of Magadha, now Behar, and the fifth, Chandragir, the Silver Mount, also called Shescuta, or the ‘thousand-pinnacled,’ lies amidst the snowy regions of the Hindu Kho, or Parbut-put-pamer, the Caucasus and Paropamisus of the Greeks… We have no evidence that Mahmoud of Ghizni visited the sacred mounts of the Jains, but it is well attested, that the fury of the “sanguinary Alla” made all sects conceal their gods under-ground, for those they did not hide he destroyed. Many have since been brought to light, but comparatively few of the sculptures of ancient times are now existing. In like manner, the temples suffered, those only escaping which were converted into mosques. The consequence is, that in the Chaok of Adnat’h, although you cannot look around without beholding every where vestiges of antiquity, no entire edifice appears to claim this distinction, as they are for the most part incongruous structures, raised from dilapidated remnants, so that Komarpal’s own temple, from continual deterioration and repair, does not bear any greater signs of antiquity than that recently erected by the wealthy banker…
The milder side of the Rājput character is represented in the cult of Krishna at Nāthdwāra. The Mahant or Abbot of the temple, situated at the old village of Siārh, twenty-two miles from the city of Udaipur, enjoys semi-royal state. In anticipation of the raid by Aurangzeb on Mathura, A.D. 1669-70, the ancient image of Kesavadeva, a form of Krishna, ‘He of the flowing locks,’ was removed out of reach of danger by Rāna Rāj Singh of Mewār. When the cart bearing the image arrived at Siārh, the god, by stopping the cart, is said to have expressed his intention of remaining there. This was the origin of the famous temple, still visited by crowds of pilgrims, and one of the leading seats of the Vallabhāchārya sect, ‘the Epicureans of the East,’ whose practices, as disclosed in the famous Mahārāja libel case, tried at Bombay in 1861, gave rise to grievous scandal. The ill-feeling against this sect, aroused by these revelations, was so intense that the Mahārāja of Jaipur ordered that the two famous images of Krishna worshipped in his State, which originally came from Gokul, near Mathura, should be removed from his territories into those of the Bharatpur State.
Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome, commit the very egregious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover, that until a more correct taste was imparted to the literature of England and of France, by the study of classical models, the chronicles of both these countries, and indeed of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren as those of the early Rajputs.