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" "It's possible to argue... [T]here are wonderful musicians, let's talk about... western classical music... nowadays... but... compared with the time of Bach, Mozart and Beethoven, composition in classical music has gone down. ...It's possible to argue that the concept and the belief in genius killed classical music composition. It's extremely... discouraging to be told, "You shouldn't compose unless you can be Beethoven." ...[T]he concept of the genius is an invention of the... German idealistic philosophers. People didn't talk about genius before, and people... simply didn't have the concept and it wasn't part of people's thinking. ...[L]ook at ...Italian Baroque composers... They didn't care about talent or genius but they're creating wonderful music... just on the spot. ...[T]hey didn't have to be tragic. They don't have to have a dramatic life. ...You just do it because you like it, and the same with mathematics.
(Japanese: 時枝正; born 1968) is a Japanese mathematician, working in mathematical physics. He is a professor of mathematics at Stanford University; previously he was a fellow and Director of Studies of Mathematics at Trinity Hall, Cambridge. He is also very active in inventing, collecting, and studying toys that uniquely reveal and explore real-world surprises of mathematics and physics. In comparison with most mathematicians, he had an unusual path in life: he started as a painter, and then became a classical philologist, before switching to mathematics.
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[W]hen I did my PhD, it was in very very pure mathematics and I still love that field, ...algebraic topology ...but then ...I started moving into more physical subjects and... started doing experiments... I thought this was an opportunity. Until then I had lots of... friends and family who were not scientists, and who didn't have any mathematical background, but... with pure mathematics it's very difficult to convey the excitement of computing s... [W]ith physics I decided that every time I finish a project, write a paper or even figure out something, I should design a toy that... captures... joy that I have had, and can share it with people... [T]hen it became quite successful, and it became the other way around. Now I look around and... realize that there's science all around and so I start from the toys... I try to... discover one every month... I was given most of them because my good friends send me toys... but I have... stumbled on... 1/3 of them myself, and... depending on the public lecture... I got... maybe a dozen and... try to tell a story. ...[S]ome of the collections are more cohesive stories than others, but ...whatever I take, I start seeing connections ...And as with the larger nature, so with my toy collection, there are lots and lots of inner connections that I'm waiting to discover; and I usually can.
I don't believe that I'm a good communicator. I believe that lots of other people are simply very bad communicators... I don't think other people are thinking. It's completely common sense. I have no intention of claiming any credit for what I do, and if you think this passionately, and if your agenda is not some of the other things I described earlier... [I]f your agenda is to share surprises and to share, if possible, some of the joy to make people understand, there are obvious things that you can do... I'm very surprised that people aren't doing it... [I]t's absolutely obvious to anybody.