However high a mortal may set his throne, however firmly he may place upon his brow the tiara of exception that signifies genius, he can never be per… - Jens Peter Jacobsen

But when he had served the god faithfully for eleven days, it sometimes happened that other powers gained the ascendancy over him, and he would be seized with a violent craving for the coarse enjoyment of gross pleasures. Then he would plunge into dissipations, feverish with that human thirst for self-destruction which yearns, when the blood burns as hotly as blood can burn, for degradation, perverseness, filth, and smut, with precisely the measure of strength possessed by another equally human longing, the longing to keep one's self greater than one's self and purer.

In these moments there was but little that was rough and coarse enough for him, and when they had passed, it was long before he could regain his balance; for in truth these excesses were not natural to him; he was too healthy for them, too little poisoned by brooding. In a sense, they came as a rebound from his devotion to the higher spirits of his art, almost like a revenge, as though his nature had been violated by the pursuit of those idealistic aims which choice, aided by circumstances, had made his own.

For the better part of two years Niels Lyhne wandered abroad.
He was so lonely. He had no family, no friend who was dear to his heart. But there was a greater loneliness about him than that; for a person may well feel anguished and forsaken if on the whole enormous earth there is not one small place he can bless and wish well, someplace he can turn his heart toward when his heart insists on swelling, a place he can long for when longing insists on
spreading its wings; but if he has the clear, steady star of a life’s goal shining overhead, then there is no night so lonely that he is entirely alone. But Niels Lyhne had no star. He didn’t know what to do with himself and his abilities. He did have talent, but he just couldn’t use it; he went around feeling like a painter without hands. How he envied the others, great and small, who, no matter where they reached in life, always found something to hold on to! Because he could not find anything to hold on to. It seemed to him that all he could do was sing the old romantic songs over again, and everything that he had accomplished had been nothing more than this. It was as if his talent were something remote in him, a quiet Pompeii, or like a harp he could take out of a corner. It was not omnipresent, it did not run down the street with him, it did not reside in his eyes, it did not tingle in his fingertips, not at all; his talent did not have a hold on him. At times it seemed to him that he had been born half a century too late, at other times that he had arrived much too early. The talent within him was rooted in something from the past which was the only thing that could give it life. It could not draw nourishment from his opinions, his convictions, his sympathies, it could not assimilate them and give them form; they floated away from each other, these two parts, like water and oil, they could be shaken together but could not be mixed, never become one.

Hvor ofte havde han ikke, næsten ydmygt, forundret sig over denne sin Sjæls vidunderlige Rigdom og over sin Aands magtsikre Guddomstryghed, thi Dagene kunde finde ham dømmende Verden og de Ting, som er i Verden, fra helt modsatte Standpunkter og finde ham betragtende dem, Verden og dens Ting, gjennem Forudsætninger, der var saa forskjellige fra hinanden som Nat fra Morgen, uden at dog disse valgte Standpunkter og valgte Forudsætninger, som han havde gjort til sine, nogensinde, selv blot et Sekund, gjorde ham til deres, ligesaalidt som Guden, der har taget Tyrens eller Svanens Skikkelse paa sig, et eneste øjeblik bliver Tyr eller Svane og ophører at være Gud.