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" "In Hinduism, classical dance is conceived as an internalized spiritual practice: using movement, sound and emotion to internalize the cosmology and epistemology within the dancer's body. It is the only major world religion to have been successfully transmitted through such embodiment for so long. This is exemplified by the iconographic depiction of Shiva-Nataraja, which is a stylized projection of Shiva manifested as the ascetic master of sacred dance. Similarly, the narratives and iconography of Krishna dancing with his devotees exemplifies, evokes and reinforces the 'rasa' (inner emotional states) of the devotees as they attempt to unite inwardly with their 'ishta-devata' (personal deity). Such expressions are not reserved for use by a spiritual elite; rather, they inform and engage the entire culture and are part of the folk narratives known to every Hindu.
Rajiv Malhotra (born 15 September 1950) is an author and Hindu activist who, after a career in the computer and telecom industries, took early retirement in 1995 to establish The Infinity Foundation. Through this organization Malhotra has promoted philanthropic and educational activities in the area of Hinduism studies.
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Here then is a meritorious role that Malhotra has increasingly played since he started his series of books: getting Hindus up from their cosy unconcern and into reality. In particular, he has taught them to scan the forces in the field and take an objective look at the hostile agents approaching Hindu society with flattering smiles and on idealistic-sounding pretexts.
The precise outcome of purva paksha on both sides of the East/ West divide cannot be presupposed, and the participants must remain open to all possibilities. What is needed immediately is a recognition of difference, and of the importance of respecting this difference. I hope this book contributes to the establishing of an open field of engagement, a Kurukshetra, on which East and West may meet on more equitable terms than in the past.