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"YEARS AGO I set three "rules" for myself. Every poem I write, I said, must have a genuine body, it must have sincere energy, and it must have a spiritual purpose. If a poem to my mind failed any one of these categories it was rebuked and redone, or discarded. Over the forty or so years during which writing poems has been my primary activity, I have added other admonitions and consents. I want every poem to "rest" in intensity. I want it to be rich with "pictures of the world." I want it to carry threads from the perceptually felt world to the intellectual world. I want each poem to indicate a life lived with intelligence, patience, passion, and whimsy (not my life — not necessarily! — but the life of my formal self, the writer). I want the poem to ask something and, at its best moments, I want the question to remain unanswered. I want it to be clear that answering the question is the reader's part in an implicit author-reader pact. Last but not least, I want the poem to have a pulse, a breathiness, some moment of earthly delight. (While one is luring the reader into the enclosure of serious subjects, pleasure is by no means an unimportant ingredient.)"
Mary Jane Oliver (10 September 1935 – 17 January 2019) was an American poet who won the National Book Award and the Pulitzer Prize.
Biography information from Wikiquote
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And we might, in our lives, have many thresholds, many houses to walk out from and view the stars, or to turn and go back to for warmth and company. But the real one — the actual house not of beams and nails but of existence itself — is all of earth, with no door, no address separate from oceans or stars, or from pleasure or wretchedness either, or hope, or weakness, or greed.
I had a dog
who loved flowers.
Briskly she went
through the fields,
yet paused
for the honeysuckle
or the rose,
her dark head
and her wet nose
touching
the face
of every one
with its petals
of silk
with its fragrance
rising
into the air
where the bees,
their bodies
heavy with pollen
hovered -
and easily
she adored
every blossom
not in the serious
careful way
that we choose
this blossom or that blossom
the way we praise or don't praise -
the way we love
or don't love -
but the way
we long to be -
that happy
in the heaven of earth -
that wild, that loving.
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No, I mean really listen. Here's a
story, and you don't have to visit many
houses to find it. One person is talking,
the other one is not really listening.
someone can look like they are but they're
actually thinking about something they
want to say, or their minds are just
wandering. Or they're looking at that
little box people hold in their hands these
days. And people get discouraged, so they
quit trying. And the very quiet people,
you may have noticed, are often the sad
people.