a memory cannot be trusted, for so much of the experience of the past is determined by the experience of the present. - Jamaica Kincaid

We weren’t taught Shakespeare or Milton in order to understand our own situation—they were taught as the jewels in Queen Victoria’s crown. The point of the colonial enterprise was that it had all these people to control. Our education was about imprinting on us the greatness of England, the idea that the people who could produce these works were of a superior kind of people...I came to understand that I should separate Shakespeare and all of the rest from Disraeli and Horatio Nelson—that the British Empire is one thing and literature another. I’ll take everything except Kipling. Wordsworth would have been very upset to know that his wonderful poems were being used as a weapon of empire.

At first, the editors there said they didn’t want staff writers but that if I had an idea for a piece they’d look at it. So I went home and called up Ms. magazine, and I said, “I’d like to speak to Gloria Steinem.” She picked up, and I told her I’d like to interview her. She said, “Of course.” I was just somebody off the street, but that was the original solidarity of feminism.

You know how they say a man’s house is his castle? I think for a woman, it’s her body. I feel so strongly about a woman’s right to choose. This is my Zionism. It’s not a “right” any more than it’s a right to breathe, to take in oxygen. I think a woman is powerless if she cannot freely claim the right to her reproductive capacity. Society can talk about anything it likes, except a woman’s reproductive existence. I think I write out of that feeling.