Whatever the apparent aim of the artist, he is called upon first to move the spectator, after having been himself struck by a design or color composi… - Ossip Zadkine

" "

Whatever the apparent aim of the artist, he is called upon first to move the spectator, after having been himself struck by a design or color composition which may or may not have a relation to natural objects. His predilections, his preferences, crystallize afterwards in the choice of means to interpret those natural objects; these means are always, obligingly, of imaginary essence.

English
Collect this quote

About Ossip Zadkine

Ossip Zadkine (July 4, 1890 – November 25, 1967) was a Russian-born sculptor-artist who lived mainly in France where he was at first working in a Cubist idiom from 1914 to 1925. Later Zadkine developed his characteristic style, strongly influenced by African and Greek art.

Also Known As

Alternative Names: Osip Zadkine Osip Zadkin Oshippu Zakkin Osip Cadkin Joë Zadkine Osip Tsadkin

Works in ChatGPT, Claude, or Any AI

Add semantic quote search to your AI assistant via MCP. One command setup.

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by Ossip Zadkine

As a matter of fact, these attributes are their fate, no longer separate objects they can carry.. ..part of their actual presence. I try to signify this by reorganizing the objective form of such a legendary figure so as to create an allegorical form that is complete in itself, no longer requiring an attribute that must be carried like the German businessman’s briefcase; the lyre becomes part of the poet's presence, its text written all over his body, as if tattooed on his skin. [quote, c. 1960, in France]

I do not believe that art must develop on national lines, but I am convinced that there never was and never will be an international art. There is and was French, German, Italian, and Flemish art. But I deny those specific definitions so fashionable with adepts of fascism which make of every country an hermetic cell from which all foreign artists are excluded. [shortly after the end of the German occupation]

Loading...