"The old woman sits on a bench before the door and quarrels With her meagre pale demoralized daughter. Once when I passed I found her alone, laughing… - Robinson Jeffers

"The old woman sits on a bench before the door and quarrels
With her meagre pale demoralized daughter.
Once when I passed I found her alone, laughing in the sun
And saying that when she was first married
She lived in the old farmhouse up Garapatas Canyon.
(It is empty now, the roof has fallen
But the log walls hang on the stone foundation; the redwoods
Have all been cut down, the oaks are standing;
The place is now more solitary than ever before.)
"When I was nursing my second baby
My husband found a day-old fawn hid in a fern-brake
And brought it; I put its mouth to the breast
Rather than let it starve, I had milk enough for three babies.
Hey how it sucked, the little nuzzler,
Digging its little hoofs like quills into my stomach.
I had more joy from that than from the others."
Her face is deformed with age, furrowed like a bad road
With market-wagons, mean cares and decay.
She is thrown up to the surface of things, a cell of dry skin
Soon to be shed from the earth's old eye-brows,
I see that once in her spring she lived in the streaming arteries,
The stir of the world, the music of the mountain."

English
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About Robinson Jeffers

John Robinson Jeffers (10 January 1887 – 20 January 1962) was an American poet, whose poetry often presented monist perspectives, transcending personal and particular concerns of human beings, which he eventually labelled as stances of a naturalistic "inhumanism" that he believed was necessary to transcend and diminish many forms of social strife and corruption.

Biography information from Wikiquote

Also Known As

Alternative Names: John Robinson Jeffers

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Additional quotes by Robinson Jeffers

I hate my verses, every line, every word. Oh pale and brittle pencils ever to try One grass-blade's curve, or the throat of one bird That clings to twig, ruffled against white sky. Oh cracked and twilight mirrors ever to catch One color, one glinting flash, of the splendor of things.

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"Wise men in their bad hours have envied
The little people making merry like grasshoppers
In spots of sunlight, hardly thinking
Backward but never forward, and if they somehow
Take hold upon the future they do it
Half asleep, with the tools of generation
Foolishly reduplicating
Folly in thirty-year periods; the eat and laugh too,
Groan against labors, wars and partings,
Dance, talk, dress and undress; wise men have pretended
The summer insects enviable;
One must indulge the wise in moments of mockery.
Strength and desire possess the future,
The breed of the grasshopper shrills, "What does the future
Matter, we shall be dead?" Ah, grasshoppers,
Death's a fierce meadowlark: but to die having made
Something more equal to the centuries
Than muscle and bone, is mostly to shed weakness.
The mountains are dead stone, the people
Admire or hate their stature, their insolent quietness,
The mountains are not softened nor troubled
And a few dead men's thoughts have the same temper."

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