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" "I read social media all week, and it is a maelstrom. One man says he laughed on a visit to Auschwitz-Birkenau. Another says the Final Solution wasn't final enough. Yet another says the world is run "mostly" for the benefit of Jews. I'm called a genocidaire, immune to non-Jewish suffering. I present my credentials – a Liberal Zionist, in favour of two states – which are dismissed, since, to some, all Zionists exist in a state of pre-murder. The most sympathetic people are religious Christians, which initially confuses me: I am contrite, and grateful to them. I am not grateful for "allies" who use Jews to pursue their vendetta against Muslims – and if you mention European anti-Semitism, they insult you and withdraw, for you have disappointed them.
Tanya Gold (born 31 December 1973) is an English freelance journalist. In 2010, she won Feature Writer of the Year at the British Press Awards in 2009.
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[T]his is the manifesto of Sunset Boulevard and all its awful children. The female star, with her autonomous gifts, is just too threatening to be admired. She must, instead, be pitied, and turned into a cautionary tale for girls: her success is itself a failure, because it is the root of her tragedy. In lesser hands than Wilder's, the message is a call for women to stay mundane: from cinema's most self-hating, and desolate, franchise.
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When I was young, being female was not something to enjoy, but to navigate carefully: there was always a terrible jeopardy in it. When I look back on the mild workplace assaults and the insinuations — so long ago I feel they were directed at a different woman — what strikes me most is how little they had to do with sex. I don't think men who harass women at work want sex: at least not principally. It is a function of inadequacy and the dominion that masks it: putting you on your knees, where you belong.