The house stood on a hillside, overlooking the town in the valley and the long stretch of mountains beyond. From the country road that climbed throug… - Lou Andreas-Salomé

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The house stood on a hillside, overlooking the town in the valley and the long stretch of mountains beyond. From the country road that climbed through the hill's woods in a wide curve, you stepped right into the middle story, as if it were at ground level -- so deeply was the little, white house nestled into the slope. But perched up there it had a freer view out over the terraced garden and the broad expanse below, gazing down with many bright window-eyes and with boldly protruding bays -- extensions of original rooms that had been found too confining. This undeniably made for whimsical architecture, but it gave the house an impression of grace and lightness -- almost as if it were just resting there. (p. 1)

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About Lou Andreas-Salomé

Lou Andreas-Salomé (born either Louise von Salomé or Luíza Gustavovna Salomé or Lioulia von Salomé; 12 February 1861 – 5 February 1937) was a Russian-born psychoanalyst and a well-traveled author, narrator, and essayist from a Russian-German family. Her diverse intellectual interests led to friendships with a broad array of distinguished thinkers, including Friedrich Nietzsche, Sigmund Freud, Paul Rée, and Rainer Maria Rilke.

Also Known As

Alternative Names: Louise von Salomé Luíza Gustavovna Salomé Lou Andreas-Salome Louise von Salome Luiza Gustavovna Salome
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Additional quotes by Lou Andreas-Salomé

Human life -- ah! life in general -- is poetry. Unconscious of ourselves, we live it -- day but day and piece by piece -- but in its inviolable wholeness it lives, it composes, us. Far from the old phrase: "turn your life into a work of art"; we are not our art work.

Once upon a time, everything was based on trust, free from worry or care; now everything stands in doubt. One upon a time, the wondrous was taken for granted; now everything that had been taught her -- even the most obvious and certain -- appears gnarled and incomprehensible. In such a moment, a child helplessly gropes for the hand of the adult in order to find guidance and direction; but another type of childlikeness, intimately related to the ideals of life, can rapidly gather strength and masculine force. Far from subduing Nora or attuning her to compromise, the first decisive conflict acts upon her like a battle cry . . . Resistance and bravery harden into armor. She has grasped that the peaks of wonder in life do not appear as readily as the fairies who awaken Sleeping Beauty; in life peaks must be conquered. That insight she is willing to put to the test . . .

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[Speaking of Rilke] Abandoning himself in everything, and thereby making himself superfluous, the benefactor becomes at once the petitioner, the recipients become donors, and he hides in their secure existence. And were this loner, who was isolated in death, still with us, I believe he would feel most immediately at home in the deepest anonymity of his work’s effects— there in the no longer audible processes of man’s union with the cosmos, where his form is allowed to fade and no longer requires visibility or the boundaries of self. Restored to a stronger presence: standing there, in deep peace, he too a nameless one among the nameless. -- Kindle p. 96

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