Marcel Proust Quotes

À partir de cet instant, je n’avais plus un seul pas à faire, le sol marchait pour moi dans ce jardin où depuis si longtemps mes actes avaient cessé d’être accompagnés d’attention volontaire: l’Habitude venait de me prendre dans ses bras et me portait jusqu’à mon lit comme un petit enfant.

Reality is never more than a first step towards an unknown on the road to which one can never progress very far.

Discovery consists not in seeking new lands, but in seeing with new eyes.

It is false to believe that the scale of fears corresponds to that of the dangers which inspire them. One might be frightened of sleeplessness and yet not of a duel, of a rat and not of a lion.

They reminded me that it was my fate to pursue only phantoms, creatures whose reality existed to a great extent in my imagination; for there are people - and this had been my case since youth - for whom all the things that have a fixed value, assessable by others, fortune, success, high positions, do not count; what they must have is phantoms. They sacrifice all the rest, devote all their efforts, make everything else subservient to the pursuit of some phantom. But this soon fades away; then they run after another only to return later on to the first.

The novelist’s happy discovery was to think of substituting for those opaque sections, impenetrable by the human spirit, their equivalent in immaterial sections, things, that is, which the spirit can assimilate to itself. After which it matters not that the actions, the feelings of this new order of creatures appear to us in the guise of truth, since we have made them our own, since it is in ourselves that they are happening, that they are holding in thrall, while we turn over, feverishly, the pages of the book, our quickened breath and staring eyes. And once the novelist has brought us to that state, in which, as in all purely mental states, every emotion is multiplied ten-fold, into which his book comes to disturb us as might a dream, but a dream more lucid, and of a more lasting impression than those which come to us in sleep; why, then, for the space of an hour he sets free within us all the joys and sorrows in the world, a few of which, only, we should have to spend years of our actual life in getting to know, and the keenest, the most intense of which would never have been revealed to us because the slow course of their development stops our perception of them.

My Dear Grandpapa,

I’m appealing to your kindness for the sum of 13 francs that I would like to ask Monsieur Nathan for, but that Mamma prefers that I ask you for. Here is why. I so needed to see a woman to cure my bad habit of masturbating that papa gave me 10 francs to go to a brothel. But in my first agitated state I broke the chamber pot, 3 francs, and second, in this same agitated state, I was unable to screw. So here I am, still awaiting each hour 10 francs to satisfy myself and in addition, 3 francs for the chamber pot.

-M.

the Celtic belief that the souls of those whom we have lost are held captive in some inferior being, in an animal, in a plant, in some inanimate object and so effectively lost to us until the day (which to many never comes) when we happen to pass by the tree or to obtain possession of the object which forms their prison. Then they start and tremble, they call us by our name, and as soon as we have recognized their voices the spell is broken. We have delivered them: they have overcome death and return to share our life.

Now are the woods all black, but still the sky is blue.
May you always see a blue sky overhead, my young friend; and then, even when the time comes, which is coming now for me, when the woods are all black, when night is fast falling, you will be able to console yourself, as I am doing, by looking up to the sky.

No doubt, few people understand either the purely subjective nature of the phenomenon of love, or how it creates a supplementary person who is quite different from the one who bears our beloved’s name in the outside world, and is mostly formed from elements within ourselves. So there are few who see anything natural in the disproportionate dimensions which we come to perceive in a person who is not the same as the one they see.

What artists call posterity is the posterity of the work of art.

In that way Vinteuil's phrase, like some theme, say, in Tristan, which represents to us also a certain acquisition of sentiment, has espoused our mortal state, had endued a vesture of humanity that was affecting enough. Its destiny was linked, for the future, with that of the human soul, of which it was one of the special, the most distinctive ornaments. Perhaps it is not-being that is the true state, and all our dream of life is without existence; but, if so, we feel that it must be that these phrases of music, these conceptions which exist in relation to our dream, are nothing either. We shall perish, but we have for our hostages these divine captives who shall follow and share our fate. And death in their company is something less bitter, less inglorious, perhaps even less certain.

کات!
گۆڕانکاری بەسەر مرۆڤەکاندا دێنێت.
بەڵام سیمایەک کە لەوانمان هەیە
وەک خۆی ڕادەگرێ..

هیچ شتێک پڕ ژانتر لەو ناکۆکیەی نێوان ئاڵوگۆڕی مرۆڤەکان و
وەک خۆمانەوەی بیرەوەرییەکان نییە...!

No doubt very few people understand the purely subjective nature of the phenomenon that we call love, or how it creates, so to speak, a supplementary person, distinct from the person whom the world knows by the same name, a person most of whose constituent elements are derived from ourselves.

I looked at her, at first with the sort of gaze that is not merely the messenger of the eyes, but a window at which all the senses lean out, anxious and petrified, a gaze that would like to touch the body it is looking at, capture it, take it away and the soul along with it.