Belgian playwright and essayist (1862–1949)
Count Maurice Polydore Marie Bernard Maeterlinck (29 August 1862 – 6 May 1949) was a Belgian poet, playwright, and essayist who wrote in French, most famous for his work L'Oiseau Bleu (The Blue Bird), and for other works exploring the meaning of life and death. He was awarded the Nobel Prize in Literature in 1911.
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Elles sont l’âme de l’été, l’horloge des minutes d’abondance, l’aile diligente des parfums qui s’élancent, le murmure des clartés qui tressaillent, le chant de l’atmosphère qui s’étire et se repose. Et leur vol est le signe visible, la note musicale des petites joies innombrables qui naissent de la chaleur et vivent dans la lumière.
À qui les a connues, à qui les a aimées, un été sans abeilles semble aussi malheureux et aussi imparfait que s’il était sans oiseaux et sans fleurs.
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For what are in reality the things we call ‘Wisdom,’ ‘Virtue,’ ‘Heroism,’ ‘sublime hours,’ and ‘great moments of life,’ but the moments when we have more or less issued forth from ourselves, and have been able to halt, be it only for an instant, on the step of one of the eternal gates whence we see that the faintest cry, the most colourless thought, and most nerveless gestures do not drop into nothingness; …
You know, my brothers, the nature of our business. The child you see before you, thanks to a talisman stolen from the powers of Earth, is able to take possession of the Blue Bird and thus to snatch from us the secret which we have kept since the origin of life... Now we know enough of Man to entertain no doubt as to the fate which he reserves for us once he is in possession of this secret. That is why it seems to me that any hesitation would be both foolish and criminal... It is a serious moment; the child must be done away with before it is too late...
We are not wrong, perhaps, to be heedful of justice in the midst of a universe that heeds not at all; as the bee is not wrong to make honey in a world that itself can make none. But we are wrong to desire an external justice, since we know that it does not exist. Let that which is in us suffice. All is for ever being weighed and judged in our soul. It is we who shall judge ourselves; or rather, our happiness is our judge.
If I tell some one that I love him – as I may have told a hundred others – my words will convey nothing to him; but the silence which will ensue, if I do indeed love him, will make clear in what depths lie the roots of my love, and will in its turn give birth to a conviction, that shall itself be silent; and in the course of a lifetime, this silence and this conviction will never again be the same. …
I know that you are looking for the Blue Bird, that is to say, the great secret of things and of happiness, so that Man may make our servitude still harder. … I do not hear the Animals... Where are they?... All this concerns them as much as us... We, the Trees, must not assume the responsibility alone for the grave measures that have become necessary... On the day when Man hears that we have done what we are about to do, there will be terrible reprisals... It is right, therefore, that our agreement should be unanimous, so that our silence may be the same...
Be good at the depth of you, and you will discover that those who surround you will be good even to the same depths. Nothing responds more infallibly to the secret cry of goodness than the secret cry of goodness that is near. While you are actively good in the invisible, all those who approach you will unconsciously do things that they could not do by the side of any other man.
There are other herbs endowed with spontaneous movements that are not so well known, notably the Hedysareæ, among which the Hedysarum gyrans, or Moving-plant, acts in a very restless and surprising fashion. This little Leguminosa, which is a native of Bengal, but often cultivated in our hothouses, performs a sort of perpetual and intricate dance in honour of the light. Its leaves are divided into three folioles, one wide and terminal, the two others narrow and planted at the base of the first. Each of these leaflets is animated with a different movement of its own. They live in a state of rhythmical, almost chronometrical and continuous agitation. They are so sensitive