An hour is not merely an hour, it is a vase filled with perfumes, with sounds, with projects, with climates. What we call reality is a relation betwe… - Marcel Proust

An hour is not merely an hour; it is a vase full of scents and sounds and projects and climates.

Recalling, some time later, what I had felt at the time, I distinguished the impression of having been held for a moment in her mouth, myself, naked, without any of the social attributes which belonged equally to her other playmates and, when she used my surname, to my parents, accessories of which her lips - by the effort she made, a little after her father's manner, to articulate the words to which she wished to give a special emphasis - had the air of stripping, of divesting me, like the skin from a fruit of which one can swallow only the pulp, while her glance, adapting itself to the same new degree of intimacy as her speech, fell on me also more directly and testified to the consciousness, the pleasure, even the gratitude that it felt by accompanying itself with a smile.

This was not to say, however, that she did not long, at times, for some greater change, that she did not experience some of those exceptional moments when one thirsts for something other than what is, and when those who, through lack of energy or imagination, are unable to generate any motive power in themselves, cry out, as the clock strikes or the postman knocks, for something new, even if it is worse, some emotion, some sorrow; when the heartstrings, which contentment has silenced, like a harp laid by, yearn to be plucked and sounded again by some hand, however rough, even if it should break them; when the will, which has with such difficulty won the right to indulge without let or hindrance in its own desires and woes, would gladly fling the reins into the hands of imperious circumstance, however cruel.

We fall in love for a smile, a glance, a bare shoulder. That is enough; then, in the long hours of hope or sorrow, we fabricate a person, we compose a character. And when later on we see much of the beloved person, we can no longer, whatever the cruel reality that confronts us, strip off that good character, that nature of a woman who loves us, from the person who bestows that glance, bares that shoulder, than we can when she has grown old eliminate her youthful face from a person whom we have known since her girlhood.