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" "As Mr Quereshi wanted to visit the site along with the Superintendent, Archaeological Department, he went to Siddhpur on March 8, 1980. At first, he agreed to the preservation but later he insisted on getting the trenches closed in his presence that day. The superintendent ordered closure of the trenches and construction of the compound wall and both the works were started in his presence. Should the work of the ASI be allowed to be halted by the intervention of the Minorities Commission? Should a commission work at the behest of narrow local vested interests? Or, should not the government rein in the commission from undertaking such obstructionist activity? If there is legitimacy in such activity, would it not be logical that the ASI be wound up? Which, of course, would imply that we have lost interest in the search for our civilisational heritage.
Praful Dwarkadas Goradia is a politician from Akhil Bharatiya Jan Sangh party. He was a Member of the Parliament of India representing Gujarat in the Rajya Sabha, the upper house of the Parliament from 1998 to 2000 as member of Bharatiya Janata Party. Currently, he is general secretary of the Akhil Bharatiya Jan Sangh.
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The Jami masjid at Etawah is an even more interesting example of sweep under the carpet and conceal. In fact, it is more illustrative. Not only is the masjid white-washed, a number of pillars have been subjected to several coats of aluminium paint. This was applied to a surface made smooth perhaps by the use of plaster. The pillars that had white lime on them, were plain granite.
The excuse given was that the Bhojshala was, in any case, a protected monument and barricading it would be the best way to secure its protection. Incidentally, there was no threat from anyone either damaging or demolishing the structure. The discriminatory order of entry 52 times a year to one community, and only once a year to another and none to the rest is based on an extraordinary precedent. The author understands that-in 1935 on the insistence by some local residents of Dhar, which was then a princely state, that the Bhojshala was a Hindu institution -the temple of Goddess Saraswati, on the one hand, and a school, on the other. A photograph of the deity's image which adorned the temple is reproduced in this book. The idol is still on display in the British Museum in London. A part of the Sanskrit inscription which is engraved on a wall of the Bhojshala is also reproduced. It is called Dhar Prasasti of Arjunavarma: Parijatamanjari-natika by Madana.
Hardly had on e walked a few steps after entering the main gate, when one noticed, on the wall outside, distinct remnants of Hindu deities. They are carved on solid stone which on the outside mingles quite naturally with the tile work of the same stone. One stone slab displays Ganesh by the side of his consort. There are several others including the crests of doorways at the entrance of the northern as well as the eastern face. Inside the mosque, the stone work is equall y convincing that the original building was a temple.