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" "I know this much — the world out there, Fancy, that world which is all around on the other side of the wall, it isn’t real. It’s real inside here, we’re real, but what is outside is like it’s made of cardboard, or plastic, or something. Nothing out there is real. Everything is made out of something else, and everything is made to look like something else, and it all comes apart in your hands. The people aren’t real, they’re nothing but endless copies of each other, all looking just alike, like paper dolls, and they live in houses full of artificial things and eat imitation food — ” “My doll house,” Fancy said, amused. “Your dolls have little cakes and roasts made of wood and painted. Well, the people out there have cakes and bread and cookies made out of pretend flour, with all kinds of things taken out of it to make it prettier for them to eat, and all kinds of things put in to make it easier for them to eat, and they eat meat which has been cooked for them already so they won’t have to bother to do anything except heat it up and they read newspapers full of nonsense and lies and one day they hear that some truth is being kept from them for their own good and the next day they hear that the truth is being kept from them because it was really a lie
Shirley Hardie Jackson (December 14, 1916 – August 8, 1965) was an American writer known for her works of horror and mystery. Over her writing career, which spanned more than two decades, she composed six novels, two memoirs, and over 200 short stories.
Biography information from Wikiquote
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Poor things, she thought - do they have to spend all this energy just to surround me? It seemed pitiful that these automatons should be created and wasted, never knowing more than a minor fragment of the pattern in which they were involved, to learn and follow through insensitively a tiny step in the great dance which was seen close up as the destruction of Natalie, and far off, as the end of the world.
They had all earned their deaths, Natalie thought, by a job well done - the woman in the seat ahead who had never needed a face, had perhaps been given for her part only the back of a head and a dark cloth coat collar, the man in the seat next to Natalie, a full-dress part, even to the watchchain and the grimy shirt collar - had not this same man, as a matter of fact, been close to Natalie in the station, memorising her face so that although when next they met she would not know him, he would be able to identify her, winking and gesturing with his head to the others, murmuring perhaps to the bus driver, 'That one, there.
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