Silence had entered me. It was like the night, and my memories - they were like stars in that they were fixed, though of course if one would see they… - Louise Glück

Marathon

2. Song of the River

Once we were happy, we had no memories.
For all the repetition, nothing happened twice.
We were always walking parallel to a river
with no sense of progression
though the trees across from us
were sometimes birch, sometimes cypress-
the sky was blue, a matrix of blue glass.

While, in the river, things were going by-
a few leaves, a child's boat painted red and white,
its sail stained by the water-

As they passed, on the surface we could see ourselves;
we seemed to drift
apart and together, as the river
linked us forever, though up ahead
were other couples, choosing souvenirs.

I am tired of having hands
she said
I want wings — But what will you do without your hands
to be human?

I am tired of human
she said
I want to live on the sun —

The Mountain

My students look at me expectantly.
I explain to them that the life of art is a life
of endless labor. Their expressions
hardly change; they need to know
a little more about endless labor.
So I tell them the story of Sisyphus,
how he was doomed to push
a rock up a mountain, knowing nothing
would come of this effort
but that he would repeat it
indefinitely. I tell them
there is joy in this, in the artist’s life,
that one eludes
judgment, and as I speak
I am secretly pushing a rock myself,
slyly pushing it up the steep
face of a mountain. Why do I lie
to these children? They aren’t listening,
they aren’t deceived, their fingers
tapping at the wooden desks — So I retract
the myth; I tell them it occurs
in hell, and that the artist lies
because he is obsessed with attainment,
that he perceives the summit
as that place where he will live forever,
a place about to be
transformed by his burden: with every breath,
I am standing at the top of the mountain.
Both my hands are free. And the rock has added
height to the mountain.