The culture-its excess-really suited me. I always liked Indian miniature painting much more than Renaissance painting. I didn't see what was so great… - Wendy Doniger

As a loosely applied, but strongly integrative, model, she proposes three roughly consecutive alliances: first the Vedic one of gods and humans as opposed to anti-gods and ogres, then the epic-Puranic one in which ascetics and renunciants seem to join over-ambitious ogres and anti-gods in threatening the gods, and finally the bhakti alliance that restores human dependence on the gods. From the point of view of the historian such a loose periodisation is satisfactory and convincing, especially in the first three fifths of the book, which deal with little else than the social and cultural history of religion. For the periods of the Delhi Sultanate, the Mughals and the British, however, when the author's focus partly shifts to political circumstances, her story is often episodic and sometimes, I think, a little naïve..

An array of puns, asides and (sometimes off-key) jokes makes the book more bulky and somewhat anecdotal, but also entertaining to read.

And of course, [Wendy Doniger's] translation, again is a ‘re’-translation” of others’ works” in which she has “merely added a fashionable(?) Freudian coating… Simple question: if ‘that’ much is wrong in just one story (and this is a small selection only!) — what about the rest of this book and her other translations?… It might have been better to have used the old translations and to have added her Freudian interpretation to them… In sum: The “translation” simply is UNREALIABLE... In view of all of this, I wonder indeed whether Doniger’s translation would have been accepted in the Harvard Oriental Series rather than in Penguin… And a little less hype would also do: ‘a landmark translation, the first authoritative translation in this century’ (cover); ‘to offer to more specialized scholars new interpretations of many difficult verses.’ (p. lxi) — I doubt it.