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" "And of course, [Wendy Doniger's] translation, again is a ‘re’-translation” of others’ works” in which she has “merely added a fashionable(?) Freudian coating… Simple question: if ‘that’ much is wrong in just one story (and this is a small selection only!) — what about the rest of this book and her other translations?… It might have been better to have used the old translations and to have added her Freudian interpretation to them… In sum: The “translation” simply is UNREALIABLE... In view of all of this, I wonder indeed whether Doniger’s translation would have been accepted in the Harvard Oriental Series rather than in Penguin… And a little less hype would also do: ‘a landmark translation, the first authoritative translation in this century’ (cover); ‘to offer to more specialized scholars new interpretations of many difficult verses.’ (p. lxi) — I doubt it.
Wendy Doniger O'Flaherty (born 20 November, 1940) is an American Indologist.
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There are several issues that need more detailed and nuanced analysis rather than straight-jacketed formulations that we read in The Hindus. These concern terminologies and chronologies invoked, perfunctory manner in which class-caste struggles have been referred to — almost casually, complex inter-religious dialogue seen only in the context of Visnu's avataras, and looking at the tantras merely in terms of sex and political power. The work rarely rises above the level of tale telling... On the whole, this is neither a serious work for students of Indian history, nor for those with a critical eye on 'religious history' of India, nor indeed it is the real Alternative History of the 'Hindus'. The main actors of the narrative are not speaking themselves. They merely seem to be mouthing dialogues scripted by the privileged upper classes.
It is a learned book: one cannot help being amazed by the amount and variety of source materials the author has at her command, many of which one would not find, or not expect to find, in a book on the history of Hinduism and its practitioners...She especially loves to illustrate ancient stories by interjecting comparisons with situations with which the audience is familiar: Doniger commands an unbelievably vast array of comparable material, often, though not always, from American popular culture.... Since Wendy Doniger openly disclaims any ambition to have written a conventional history ("my training is as a philologist, not a historian," p. 3), minor historical slips may be forgiven. Yet, there are some that deserve to be rectified.