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" "There are several issues that need more detailed and nuanced analysis rather than straight-jacketed formulations that we read in The Hindus. These concern terminologies and chronologies invoked, perfunctory manner in which class-caste struggles have been referred to — almost casually, complex inter-religious dialogue seen only in the context of Visnu's avataras, and looking at the tantras merely in terms of sex and political power. The work rarely rises above the level of tale telling... On the whole, this is neither a serious work for students of Indian history, nor for those with a critical eye on 'religious history' of India, nor indeed it is the real Alternative History of the 'Hindus'. The main actors of the narrative are not speaking themselves. They merely seem to be mouthing dialogues scripted by the privileged upper classes.
Wendy Doniger O'Flaherty (born 20 November, 1940) is an American Indologist.
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The culture-its excess-really suited me. I always liked Indian miniature painting much more than Renaissance painting. I didn't see what was so great about Rembrandt or Michelangelo. I liked paintings where there were 10,000 people in the scene and elephants and horses! I liked the carvings on Indian temples so much more than the simple architectural outlines.
I was raised deeply imbued with my parents' atheism. The thought of really, seriously practicing any religion doesn't really work for me. But I feel at home in religious buildings and ceremonies. I still hang out a lot in Catholic churches in America. I like going to Catholic masses; I always go to Christmas and Easter. In India I always go to temples and to the pujas. But to be committed to the dogma of any religion-to be told what to believe-goes against my grain in some basic way.