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" "It's the religious aspects in which I feel most at home, in a way. No, I don't really feel at home in India anymore. I'm not physically comfortable in India most of the time-I like Chicago, I like snow. It's an irony that I should be an Indologist because I don't like hot climates. I don't like crowds. There are too many things about India that don't suit my physical makeup. And also, I hardly ever go to Bengal, so I don't have a language[ to speak. So I go as a visitor. I visit friends. To some extent, ironically, I'm more at home in India now because there are fabulous hotels with good food and people speaking English, it's like being in New York, but if I go to a village I can't talk to people. I don't know if I ever really was at home in India, but I love being there.
Wendy Doniger O'Flaherty (born 20 November, 1940) is an American Indologist.
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And of course, [Wendy Doniger's] translation, again is a ‘re’-translation” of others’ works” in which she has “merely added a fashionable(?) Freudian coating… Simple question: if ‘that’ much is wrong in just one story (and this is a small selection only!) — what about the rest of this book and her other translations?… It might have been better to have used the old translations and to have added her Freudian interpretation to them… In sum: The “translation” simply is UNREALIABLE... In view of all of this, I wonder indeed whether Doniger’s translation would have been accepted in the Harvard Oriental Series rather than in Penguin… And a little less hype would also do: ‘a landmark translation, the first authoritative translation in this century’ (cover); ‘to offer to more specialized scholars new interpretations of many difficult verses.’ (p. lxi) — I doubt it.
I feel at home in Hindu temples. I like how complicated they are. Being in a great Hindu temple is like being in a forest. You can wander around all day. People kind of leave you alone. When you wander around temples when there isn't a ceremony, there's a kind of peacefulness about them, and I recognize the scenes and the icons. That's Shiva doing this, that's Parvati doing that. Whereas when I go to the Vatican, I have to have someone explain to me what the Sistine Chapel is all about. So I'm at home in Hinduism in that sense, I know what it's all about.
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I've always felt like I haven't given anything back to India after all that she had given me, just soaked up all the wonderful stories and told them to Americans. Now at last I feel that I have contributed something to India, sharing with them stories that many of them know but many of them do not, and sharing an approach to the history of the Hindus that highlights things that are usually ignored.