How about forgetting? you say. Sometimes forgetting is better than remembering when nothing can be done. Forgetting is harder than you think, says Ny… - Tsitsi Dangarembga

The skills I had learned for prose didn’t work in film. Those telling details, they’re completely different. Or the fact of these inner monologues in which you can write a whole book. Whereas prose is teasing out, film is stripping down, concentrating and compacting. I found I could not learn the one while doing the other. So it was a big struggle, actually. It took me years.

I wrote the book just after Zimbabwe’s independence to encourage young Zimbabweans to develop themselves in spite of the challenges they would face doing so. There was also a lot of talk after independence of going back to one’s cultural roots. I wanted to interrogate that idea by examining aspects of the culture we were being told to go back to that affected women in my environment negatively. I was a newly minted feminist at the time and very eager. I also wanted to look at the ongoing effects of colonialism in the new dispensation. At the same time, I hoped to write a book that would be eminently readable, with recognizable characters.

You feel you are creeping up over the edge of a precipice and that this cliff beckons you; worse, that you have a secret desire to fall over its edge into oblivion and that there is no way to stop that fall because you are the precipice.