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" "La culture est l'ensemble des entreprises et des pratiques dans lesquelles s'exprime la surabondance de la vie, toutes elles ont pour motivation la « charge », le « trop » qui dispose intérieurement la subjectivité vivante comme une force prête à se prodiguer et contrainte, sous la charge, de le faire.
Michel Henry (10 January 1922 – 3 July 2002) was a French philosopher, phenomenologist and novelist. He wrote five novels and numerous philosophical works. He also lectured at universities in France, Belgium, the United States, and Japan. His novel L'amour les yeux fermés (Love With Closed Eyes) has won the Renaudot Prize in 1976.
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This is why, as soon as this condition fails to appear, the imprescriptible love of others also disappears. The other is now just another person, a person as people are – hypocrites, liars, ambitious, sinful, egotistical, blind, fighting ferociously for their own advantage and prestige, no less combative toward others who oppose their projects and desires. Forgetful of their veritable condition and the other’s veritable condition, they behave toward themselves and others as mere people. Then the whole edifying morality that wishes to found itself on the mere person, on the rights of man, discovers its emptiness, its prescriptions are flouted, and the world is given over to horror and sordid exploitation, to massacres and genocides. It is not by chance that in the twentieth century the disappearance of “religious” morality has given rise not to a new morality, a “secular morality,” albeit a morality without any definite foundation, but to the downfall of any morality and to the terrifying and yet daily spectacle of that downfall.
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What does culture become in this state? Its voice is never entirely silenced; it remains in the continual arrival of life within oneself. It remains in a sort of incognito. The exchange that it seeks no longer happens in the light of the City, through its monuments, paintings, music, education, and media. It has entered the clandestine. There are brief words, quick instructions, a few references that isolated individuals communicate to one another when, in chance of meetings, they recognize themselves to be marked by the same sign. They would like to transmit this culture, to enable one to become what one is, and to escape the unbreakable boredom of the techno-media world with its drugs, monstrous growth, and anonymous transcendence. But it has reduced them to silence once and for all. Can the world still be saved by some of them?