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But, as sculpture and painting are gifts of God, what I insist on is, that both shall be used purely and lawfully, that gifts which the Lord has bestowed upon us, for His glory and our good, shall not be preposterously abused, nay, shall not be perverted to our destruction.

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Art in its unblemished nature, like religion and the search for truth, is thus literally a sacrament. The artist's calling and genius are sacred, and the men of old spoke with strict accuracy when they called the poet holy, and directed that he be venerated as a prophet.

we’re made so that we love First when we see them painted, things we have passed Perhaps a hundred times nor cared to see; And so they are better, painted – better to us, Which is the same thing. Art was given for that; God uses us to help each other so, Lending our minds out.

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We reverence art as something sacred […] We've come to worship a class of objects — paintings and sculptures — and we treat their creators as gods. […] I think this totemism has a lot to do with the failure of organized religion. Despite church attendance figures, we've let ordinary humanity lose touch with the divine, with God. No wonder that the lucky few among us are tempted to put daubs of oil on canvas in His place.

This gift... which God gave us in order to enable us to perfect ourselves, to learn and to teach, must not be employed in doing that which is for us most degrading and perfectly disgraceful... Those who employ the faculty of thinking and speaking in the service of that sense which is no honour to us, who think more than necessary of drink and love, or even sing of these things; they employ and use the divine gift in acts of rebellion against the Giver, and in transgression of his commandments.

In art, immorality cannot exist. Art is always sacred even when it takes for a subject the worst excesses of desire; since it has in view only the sincerity of observation, it cannot debase itself. A true work of art is always noble, even when it translates the stirrings of the brute, for at that moment, the artist who has produced it had as his only objective, the most conscientious rendering possible of the impression he has felt.

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In paganism, on the contrary, good cannot be separated from beauty, and this is normal, because the good is form, the consummate forms of worldly things. Consequently, art cannot be separated from religion. Art is sacred. Not only can the gods be represented, but art is how they can be represented, and insofar as men perpetually assure them of representation, they have a full status of existence. All European spirituality is based on representation as mediation between the visible and the invisible, on representation by means of depicted figures and signs exchanged against a meaning intimately tied to the real, the very guarantee of this incessant and mutual conversion of the sign and meaning. Beauty is the visible sign of what is good, ugliness the visible sign of not only what is deformed or spoiled but bad.

Were the talents and virtues which heaven has bestowed on men given merely to make them more obedient drudges, to be sacrificed to the follies and ambition of a few? Or, were not the noble gifts so equally dispensed with a divine purpose and law, that they should as nearly as possible be equally exerted, and the blessings of Providence be equally enjoyed by all?

Paint upon a palette, delighting our eyes with soul-satisfying pictures, a treasure of well set jewels a sympathy with growing things, fashioned into a dream of beauty, a place of perfect rest and refreshment of mind and body. This sense of beauty is a gift of God.

Artistic talent is a gift from God and whoever discovers it in himself has a certain obligation: to know that he cannot waste this talent, but must develop it.

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