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" "The story of man’s infatuation with his language is an unending one. In a remote village of Africa, a wise Dogon man used to say “to be naked is to be speechless.” Power, as unveiled by numerous contemporary writings, has always inscribed itself in language. Speaking, writing, and discoursing are not mere acts of communication; they are above all acts of compulsion.
(born 1952 in ; Vietnamese: Trịnh Thị Minh Hà) is a Vietnamese , writer, , composer, and professor. She has been making films for over thirty years and may be best known for her films Reassemblage, made in 1982, and Surname Viet Given Name Nam, made in 1985. She has received several awards and grants, including the 's National Independent Filmmaker , and Fellowships from the , the and the . Her films have been the subject of twenty retrospectives.
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When asked why they write, writers usually answer that they do so to create a world of their own, make order out of chaos, heighten their awareness of life, transcend their existences, discover themselves, communicate their feelings, or speak to others. Some add that they write as they breathe, as they stay alive, or as “birds sing,” to unfold “the comings and goings of a desire” and “exhaust a task that bears in itself its own bliss.” At times Writing is considered as a substitute for something lying beyond it, at other times as a necessity and an activity in its own right, devoid of any ulterior motive or any finality.