William Zinsser Quotes

An occasional short sentence can carry a
tremendous punch. It stays in the reader’s ear.

Examine every word you put on paper. You'll find a surprising number that don't serve any purpose.

I had been sitting in Joan Countryman’s living room for two hours talking about mathematics. My pulse was steady, the hand that held my note-taking pencil didn’t shake and wasn’t even clammy. Where was that old math anxiety? I hadn’t been at any loss for questions; they came to me naturally. Like the process of writing, the process of asking questions had been a form of learning, raising further questions and telling me what I wanted to know next. I was genuinely curious. It never occurred to me that this was a subject I wasn’t supposed to be any good at. What did occur to me was that mathematics was not some arcane system of numbers; it was a language, a way of putting thoughts together. I might never master the language — my checkbook might still go unbalanced — but at least I had begun to glimpse what the language was trying to say and how it could help people to understand the world around them.

But there are all kinds of reasons why English teachers ought to get some relief. One is that they shouldn’t have to assume the whole responsibility for imparting a skill that’s basic to every area of life. That should be everybody’s job. That’s citizenship.

Soon after you confront the matter of preserving your identity, another question will occur to you: “Who am I writing for?” It’s a fundamental question, and it has a fundamental answer: You are writing for yourself. Don’t try to visualize the great mass audience. There is no such audience — every reader is a different person. Don’t try to guess what sort of thing editors want to publish or what you think the country is in a mood to read. Editors and readers don’t know what they want to read until they read it. Besides, they’re always looking for something new. Don’t worry about whether the reader will “get it” if you indulge a sudden impulse for humor. If it amuses you in the act of writing, put it in. (It can always be taken out, but only you can put it in.) You are writing primarily to please yourself, and if you go about it with enjoyment you will also entertain the readers who are worth writing for. If you lose the dullards back in the dust, you don’t want them anyway.

People and places are the twin pillars on which most nonfiction is built. Every human event happens somewhere, and the reader wants to know what that somewhere was like.

"Writing can be taught or learned in the vacuum. We must say to students in every area of knowledge: "This is a how other people have written about this subject. Read it; study it; think about it. You can do it too.

Writing is hard work. A clear sentence is no accident. Very few sentences come out right the first time, or even the third time. Remember this in moments of despair. If you find that writing is hard, it's because it is hard. It's one of the hardest things that people do.

I thought of all the subjects where the teacher never gets this inside look, where students are graded solely on the basis of a right or a wrong answer.

Be grateful for everything you can throw away. Reexamine each sentence you put on paper.

Whenever I listen to an artist or an art historian I'm struck by how much they see and how much they know — and how much I don't.

Good art writing should therefore do at least two things. It should teach us how to look: at art, architecture, sculpture, photography and all the other visual components of our daily landscape. And it should give us the information we need to understand what we're looking at.

Putting an idea into written words is like defrosting the windshield: The idea, so vague out there in the murk, slowly begins to gather itself into a sensible shape.

all” is what we don’t want to hear. We only want to hear some. What made his trip different from everybody else’s? What can he tell us that we don’t already know? We don’t want him to describe every ride at Disneyland, or tell us that the Grand Canyon is awesome, or that Venice has canals. If one of the rides at Disneyland got stuck, if somebody fell into the awesome Grand Canyon, that would be worth hearing about.

Nobody becomes Tom Wolfe overnight, not even Tom Wolfe.

Never say anything in writing that you wouldn’t comfortably say in conversation.