En 1816 se fundó la Sociedad Americana de Colonización, y se trasladó a negros a la costa de la protuberancia occidental de África; allí se fundó la … - Isaac Asimov

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En 1816 se fundó la Sociedad Americana de Colonización, y se trasladó a negros a la costa de la protuberancia occidental de África; allí se fundó la nación de Liberia -de la palabra latina que significa libertad- y se le dio una capital, Monrovia, así llamada en homenaje al presidente Monroe

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About Isaac Asimov

Isaac Asimov (c. 2 January 1920 – 6 April 1992) was a Russian-born American biochemist who was a prolific writer of both fiction and non-fiction, his works include the Foundation series and I, Robot.

Biography information from Wikiquote

Also Known As

Alternative Names: Isaak Osimov Paul French Asimov Isaak Ozimov Itzhak Ozimov
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Additional quotes by Isaac Asimov

It is possible to be too stable. No Outer World has colonized a new planet in two and a half centuries.. are lives too long to risk and too comfortable to upset.

"I don't know about that, Dr. Fastolfe. You've come to Earth. You risk disease."

"Yes, I do. There are some of us, Mr. Baley, who feel that the future of the human race is even worth the possible loss of an extended lifetime. Too few of us, I am sorry to say."

"In trying to introduce robots here on Earth, we're doing our best to upset the balance of your City economy."

"You mean you're creating a growing group of displaced and declassified men on purpose?"

"Not out of cruelty or callousness, believe me. A group of displaced men, as you call them, are what we need to serve as a nucleus for colonization. Your ancient America was discovered by ships fitted out with men from the prisons. Don't you see that the City's womb has failed the displaced man. He has nothing to lose and worlds to gain by leaving Earth.

Dors shook her head. "I can't bear to hear a human being spoken of with contempt just because of his group identification — even by other human beings. It's these respectable people here who create those hooligans out there." "And other respectable people," said Seldon, "who create these respectable people. These mutual animosities are as much a part of humanity —

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Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor's examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can't be good, be loud, some say, and Close Encounters was very loud.) ... Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. ... Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can't but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it's a bad picture. Is that all they can find to talk about?

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